Roots for a Generation

Inspired by The Daily Prompt: Roots

Growing up in the 60’s and 70’s, television was a profound presence in our home.

My earliest memories are of hearing the word “Watergate” being discussed on nightly news. I don’t recall images or specifics, but I do remember wandering through the room and the adults being very interested in the TV screen.

I remember loving Romper Room with every fiber of my being, awaiting the day when the hostess would say my name as she held her magic TV mirror up in front of her face at the end of the show, calling out to little viewers in their living rooms as if she could rally see us there. (If you are too young to have any idea of what I am referring to, this is what I am talking about.)

But the biggest television event from my youth (pre-MTV that is) was, hands-down, Roots.

Roots was a 1977 miniseries based on a book written by Alex Haley. It was the story of African teen Kunta Kinte, brought to America to be enslaved, and the generations of his family and eventual emancipation.
A remake was made in 2016, and it once again became a television event. But the impact it had in 1977 can never be repeated. It was a different time.
In 1977, it was pretty huge that network TV was devoting so much time to an African American story. And we didn’t have the internet. Our cultural exposure was limited to television, films, art and books. As a young person, television was pretty much all.
And to my middle class, fairly all-white community, Roots brought to full technicolor glory some of the stories that had only been read about (barely and I am sure very biased-ly) in our history books.
I remember clutching pillows and crying, feeling outrage and shock at the outrageousness of the treatment of Kunta Kinte and his family. My friends and I talked about what we saw on-screen at school the day after the episodes. It opened our little minds up to whole other realities of our history.
According to Wikipedia: Roots received 37 Primetime Emmy Award nominations and won nine. It also won a Golden Globe and a Peabody Award. It received unprecedented Nielsen ratings for the finale, which still holds a record as the third highest rated episode for any type of television series, and the second most watched overall series finale in U.S. television history.
Apparently, the making of the miniseries was quite controversial in that the executives are afraid it would bomb. The Museum of Broadcast Communications recounts the apprehensions that Roots would flop, and how this made ABC prepare the format:

Familiar television actors like American [sic] actor Lorne Greene were chosen for the white, secondary roles, to reassure audiences. The white actors were featured disproportionately in network previews. For the first episode, the writers created a conscience-stricken slave captain (Edward Asner), a figure who did not appear in Haley’s novel but was intended to make white audiences feel better about their historical role in the slave trade. Even the show’s consecutive-night format allegedly resulted from network apprehensions. ABC programming chief Fred Silverman hoped that the unusual schedule would cut his network’s imminent losses—and get Roots off the air before sweeps week.

— Encyclopedia of Television, Museum of Broadcast Communications
 All important to examine today, and I am sure there are wonderful articles that analyze and explore such things much better than I can, but I didn’t know any of that then.
Then it was just a really riveting and important piece of television, one that told the stories of people and of a time in American history about whom I knew very little about up until that point.
I am so grateful for that. Historically accurate or not, it brought into our living room and into our classrooms another way of understanding who we were, where we had come from. It was a powerful use of the medium of television, and it opened up more than a few minds, I hope, to considering more than just what we had been told about America up until that point.
May there be many more “Roots”-inspired works to come. Maybe now more than ever we need such powerful television to be created.
#Roots #television #powerfulstories

Comes the light

When you live in darkness and the light finally comes

The dark doesn’t just “fall away” the way the say it will.

It’s still there, waiting for you

like a terrified child awaiting an adult’s comfort.

So there’s that.

But what about what’s in-between dark and light?

There’s all that gray.

Harder to look at than the deep of dark

or the bright of light.

Easy to dismiss what’s in shadow.

But something important that lives there

needs freeing too.

Inspired by The Daily Post Prompt: Gray

 

Spike

One of the more interesting “day jobs” I have had as an actress was selling products on one of the major home shopping channels.

Or should I use the official term “guest product specialist?” Sounds more important, right? “I was a Guest Product Specialist.”

At the time, green and eager, I was thrilled when my agent told me I had booked the gig. It would be a challenge! It would be live television! I glossed over the fact that I was essentially a sales person. I was going to be live on television and that was exciting. (And scary.)

The studios were located outside of a small town in the Tri-state area. I lived in Manhattan, so that meant a 2- 3 hour drive there and back for each airing depending on traffic, but I didn’t mind that. I loved traveling for acting work. It made me feel sophisticated, like a true “working actor.”

So what if some of those airings would be at ungodly hours like 4:25 AM? I was a professional! This was exciting!

I went through the training that the home shopping channel requires of all its potential “guest product specialists.” Some of it was on-line, essentially to introduce us to their approach to sales. The final part was a trial on-camera segment with one of the real hosts. When the trial came, I was so nervous, but the host I was paired with was just exactly how they seem on the channel: she was great at her job and charismatic enough to make me feel like I was her very best friend in those minutes together on-camera.

Described as a kind of dance, the synergy between the host and the guest specialist is very important to a successful home shopping channel sell. As the guest specialist, you are coming into the hosts’s “home,” so they are given the lead, but as the specialist, you are the one with the details and the passion. I felt like I was in a spell under the capable host’s lead. What was an 8 minute segment flew by in a blur that felt like 2 minutes.

After reviewing my taped segment with a producer, I was told that I passed. I was ready to start going on the channel to sell my product live.

And so my home shopping channel career began.

One of the products I sold was used in hot weather months. It was a personal comfort item that was used to help cool the body in the heat. So my sales pitch included a large table, several mannequin heads and some lucite display trees. I brought the heads in a rolling suitcase, as well as samples of the product, but the table and the lucite trees I had to hunt down and borrow from production for my segment. I’d find what I needed and set myself up in the assigned studio, then go to hair and makeup, and then sit in the green room to await my pre-sell 1- 2 minute meeting with the host to go over the features of my product.

Hair and makeup was a hoot. Sometimes I would be in there at the same time as one of the celebrity guest product specialists (think Joan Rivers or someone like that) or one of the top-selling guest specialists who had become the stars of the home shopping network because they’d sold millions of dollars’ worth of their product on the channel. A part of me could not help but be in a bit of awe of these people. Everyone else certainly acted as if they were awe-worthy. These were the homecoming kings and queens of this microcosm, and they knew it, too.

Many of the other quest specialists had worked hard to get their product on the show. I was in awe of them as well. Some had invented their product and this was their shot to “make it.” I could sense that in some cases, everything was on the line for them: all of their hopes and dreams of making a good living at this, and who knows what else?

There was always a mix of us waiting to do our thing. Everyone was jacked up no matter the hour.

I especially loved doing sells in the middle of the night because the studio was being run on a skeleton crew and it felt like I had the run of the place. It was a super high to sell when it was in the selling shank of the day and things were buzzing, but the quiet of the darker studio suited my pre-sell jitters. I could get very grounded and prepared essentially on my own. Sometimes it seemed hard to believe that a sell was actually going to happen, it was that quiet and dark. But just when I’d begun to panic that maybe I was in the wrong location, a camera person would show up, the lights would flood on and at the very last moment, a golf cart would zip the host over from some other part of the studio and we’d start the dance.

I had a demonstration, or “demo” in my sell: a bowl containing one of the ingredients of the item I was selling. I would plunge a thermometer into the bowl to show to the television audience that this item would cause the temperature to plummet, a definite plus in product promising relief in hot weather.

I would come to learn that these demos where key to a successful sell.

I would also learn that the hosts were juggling many different things as they danced with the guests specialist. They were in constant communication (as was I) via an earpiece in one ear with the producer who was running the show. But they also had an earpiece in their other ear and were also hearing simultaneous real time feedback from the line producer.  So the host was having a live on tv conversation with me, while also taking information from the producer and the line producer. If there was a caller on the line, that added a fourth dimension to their roster. These people had to be able to be incredibly focused: their ability to keep so many balls in the air in their minds and seem totally present and charming at the same time was quite amazing.

The line producer would be keeping an eye on sales as the sell progressed, and if there was a spike in sales, they would tell the host, so that the host would know what out of what we’d just done or had been talking about had moved people to pick up their phone or get on their computer and buy. The host would then go back to whatever it was in an effort to spike the sales again and again.

Maybe it was the mention of a particular specific use for that product, or perhaps I had painted a picture with a particular word that had ben particularly affecting. Maybe it was the plunge of the thermometer into the bowl – the visual of the digital temperature going down. Maybe it was the host putting the product on and responding with an “Oooohhhh, that feels so cool.”

You wanted those “spikes.” You knew if you were getting spikes you were getting sales, and sales, after all, were the name of the game.

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You’d finesse repeating whatever it was that had created the spike, whilst trying to appear in the moment of whatever conversation point you were in. It was a delicate part of the dance, and it was exciting, because you knew those spikes were making or breaking the success of the sell.

When it was over, I’d pack up my product and my mannequin heads and then go back to change back into my street clothes, eager to see how successful the sell had been. The people who hired me would have watched, and they’d have feedback and criticisms for me. What had I not gotten in? Where could I have taken more charge and gotten more of my points in over the host’s lead? That part was a bit nerve-wracking, as I had to abide by the shopping channel’s philosophies and yet serve my boss’ needs as well. Sometimes the two philosophies were at odds and I was in the middle, so I had to finesse the gap.

I was always grateful when it was all over and I was heading back home. It took a lot of energy and preparation for such a short “performance.” But I did love doing it all the same. It was a challenge, and I learned a lot during the year and a half I did it. It definitely helped me learn how to stay in the moment under high pressure. I developed terrific focus and concentration that has served me well for all my other acting work, particularly on-camera.

I look back now sort of in awe of myself. I jumped headfirst into that world, and I was pretty good at it. I was jumping off the skinny branches each time I went out for the dance to sell that product, and even though it was nerve-wracking every time, I have to say I loved the sensation. It was a rush.

But eventually, I got a tour of a musical that would have me away for the selling season. And thus, my career as a guest product specialist ended.

I sent back the mannequin heads and the samples, ready to embark on the next thing. But I carry with me that love of the spike, that desire to feel that jumping-off sensation. Not a bad thing to seek out, that feeling of being totally alive and in free-fall through the air, only to find that you can, indeed, rely on your own wings to get you to the next landing place.

#actorslife #dayjobs #salesjobs #takingflight #spike

On Being “Childless”

via Daily Prompt: Ruminate

There are things that I ruminate on, like the way my tongue cannot keep itself off of the sharp, spiky tip of my left incisor.

One of those things that I touch on again and again despite its spiky sharpness is the subject of being childless. It is uncomfortable terrain, but I go there again and again anyway.

I hate that term, “childless.” As if by not having a child, you are less somehow, than those who have had them.

Some people prefer “childfree.” That doesn’t quite feel right to me, as if children are something that I wanted to avoid for health reasons, like gluten, or sugar.

I love children. I think they are the greatest people on the planet. I have many children in my life.

But no, I am not a mother.

And boy, is that complicated. For me, and for most people in the world, it seems. So I must, in sensitivity to other people who do not have children and have their own personal relationship to this issue, offer a disclaimer.

I, in no way, speak for other people who do not have children. There are many reasons why people do not have children, are not parents, do not give birth. I cannot speak for anyone but myself. And I cannot know what anyone else’s feelings and experiences around this issue are, and would never attempt to represent them.

I am also not writing here about all the experiences I have had over the years around this issue and my decisions. I am not trying to explain or defend in any way my choices. (I actually am not even going into the reasons for my choices.)

I am writing about what still can get to me around the whole “childless” thing.

It is a continually odd experience to be in the world as a person over a certain age, married, and not to have had a child or children.

I have come to terms with my choices to the best of my ability. I stand by them. They are mine, and they make absolute perfect logic for my unique-to-me life.

Usually, I do not feel less than around this given, this fact that I have not had/do not have children. I do not feel odd. Being the one living my life, my choices are perfectly normal to me.

Yet. There are those moments, when people ask me, “Do you have children?” when I admit that sometimes I doubt myself. That self-doubt can be devastating, for it is as if I turn on my self without meaning to because of my own social conditioning. Let me explain.

Someone I am just meeting or have been getting to know asks me if I have any children. I calmly say “No.”

Well, today I calmly say “No.” There was a time when I would be so uncomfortable leaving it there out of such fear of what they might say, that I’d make an attempt to avoid it by sort of explaining without explaining (as if I owed anyone an explanation!)

“No, no kids. Just didn’t…um…nope.”

(I learned in time that that seemingly small abandonment of my self to avoid the discomfort of answering the question carried way too high a price. That it actually chipped away at my soul. I learned that tolerating the discomfort that followed my simple “No” was a far better choice.)

Back to the story. To recap: they ask “Do you have children?” I say, simply, “No.”

Then it happens.

You see, there is always a small pause before they say something polite, like “Oh.”

In that pause, I can hear the wheels of their mind turning. I know that they are quickly scanning for possible reasons for my lack of children and that they then jump to conclusions and judgements about this fact, this given.

In that pause, a part of me suffers a little as I sense one of three experiences they are having around this information they’ve just been given.

In scenario one, it is as if they are considering I may be/have been barren (what a horrific word) as in there may be a biologic reason for not having had children. I can often detect a hint of pity and sometimes even shame on my behalf. If there was a thought bubble above their head it might read, “Oh, poor thing. She was defective in some way and could not conceive.” “Oh,” they say, in a somewhat reverent tone.

Ahhhh. Message received. So I am less than a woman – a normal woman, a woman who’s able to bear a child – a mother. I am not that. I am somehow not able to be THAT, to be a whole woman. I am lacking. I am deficient. I am tragic.

Scenario two. I sense in that pause that they jump to the conclusion that I chose my career first, because why else would a perfectly healthy, “normal” woman not have had a child? The bubble might read, “Oh. You were too busy putting yourself first to have a child. Hmmph. Yep. Selfish.”

Ahhhh. So they think I am self-absorbed because I did not procreate as expected. I did not do my part in populating the world, in completing God’s will for me as a woman. I am hard, selfish, self-absorbed, self-involved. Perhaps it is better than I did not procreate since clearly I am missing the mother gene. Tragedy averted – perhaps I am not fit to have been a mother, since I clearly lack the generosity and the ability to put someone else first ahead of my ambitions.

In that glance after the voiced “Oh,” I sense a subtle aggressive relief. They are glad that they have put this together and can “place” me in their minds. Now I make sense. I am one of those career women. Hmmph. They can relax again, calmly feeling their own subtle superiority over me. Again, I am somehow deficient. Some genetic aberration made me not want kids enough or at all. Again, I am not a real woman. I am someone to perhaps forgive for her unwomanly ambitions, like a quirky aunt or an eccentric character.

Scenario three is the worst of them.

In those instances, they say, “Oh,” with a quiet tenseness, a slight narrowing of the eyes as they size me up. In their “Oh” is the sneaking suspicion that there is just something wrong with me, not biologically, but morally, ethically, mentally. That I am some sort of deviant.

The bubble reads simply in those times “Oh.” And I literally feel them slightly withdraw physically from me, as if what I have may be catching. I am categorized as a kind of leper, a social misfit. I am not to be fully trusted as I must be off in some way that is perhaps even dangerous because these people cannot fathom my “otherness” without finding it wrong on some level.

I have experienced all of the above multiple times on my own, and as part of a couple, in the world. Nothing is ever spoken aloud. But the messages are there, nonetheless. And they are affecting.

I find it interesting that it is rare that anyone goes beyond the initial question – pause  and “Oh” response to actually ask me or me and my husband “Why not?”

To me, that is proof of the social stigma placed on people who choose, for whatever reason, not have children.

In that lack of further questioning – that invisible social moat that is suddenly drawn separating them and me/us – there seems to be an unspoken agreement that this subject is something to be skirted. Further questions are to be avoided. Suddenly, my/our privacy is to be respected, as if I/we have a chronic condition.

It’s as if it’s just been discovered that I/we had recently lost a loved one and it would not be polite to ask how. It is something for people in my/our lives to query behind closed doors but never directly to me/us.

Worse than my own self-betrayal that can happen in the moments of these interactions, is the fact that I am guilty of this stigmatization against myself and others, sometimes even simultaneously as I am a victim of that same stigmatization.

In my own mind when I meet people who have not had children, I find myself making the same search for reasons to explain their status, the same judgements and conclusions to be able to categorize them in my mind.

I am guilty of judging my own relatives who fall into this category in the same ways that I have felt judged. How disturbing is that?! I find myself thinking of them what I hate feeling others think of me.

I hate this most of all.

But I know that this is a result of deep, almost cellular, societal encoding that I, like all of us, have been surrounded by and immersed in since birth. These aren’t conclusions that I have come to, they have been absorbed by me from others and nurtured via cultural messaging on every level. So through no fault of my own, I am pre-disposed to a bias, even against my own self.

And I have come to understand that those who respond to me the way they do have also been born into those same pre-dispositions.

When I wanted to select a graphic to include in this blog, I could not find one. All that I could find were either pictures of couples or singular women looking down as if sad and shamed being without children. Or oddly aggressive attempts at someone’s idea of humorous art: an image of a child in a red circle with a line drawn through it. Or that yellow yield sign for car windows that says “Baby on Board” re-drawn to read “Baby Not on Board (so you can destroy my car!)” A very sad-looking empty nest. “Child-free by choice!”

None of these images reflect my truth. I cannot find popular culture that reflects my story. I don’t fit any stereotype. There is no club to join.

And so I ruminate. I soul search. I practice forgiveness of my self and of others for our lack of expansive vision.

And often I am able to see the Truth that is beyond the narrow expectations of the social norms that so shape the world. I can see who I am and know that I make sense and that there is nothing lacking in me, no aberrant gene or deviant peculiar twist in my making.

The truth is that I love my life and have no regrets. I mother other peoples’ children as an aunt and as a friend. And I mother the world as best I can.

The question, the “Oh,” and its aftermath gets easier and easier as I get clearer and clearer.

I am whole and healthy and as normal as anyone, but I am not the norm. That is all.

#onnotbeingamother #wholeandhealthy

In response to Daily Prompt: Ruminate

 

 

 

 

The Dance

When I was a little girl, I took dance lessons. From the age of 4 or so, I took, tap, jazz and ballet. I have vague memories of doing some kind of moving across the floor and the teacher saying “Jeté, jeté!” as we stepped from foot to foot.

I loved those lessons. There was a big dance recital, where my mom made costumes for me: I played a bumblebee and a munchkin.

When we moved to Dallas when I was 5, for some reason, the dance lessons stopped. It was a hectic year, and the business venture that my Dad had moved us there for failed, so after the year, we moved back to Houston, to a different part of town and a different set of circumstances. Finances were tight, so extras like lessons were put to the side.

But. I did not stop dancing. I would put my parents’ albums on the record player and dance my little heart out. This was way before MTV or dance videos. The only references I had were old Hollywood musicals, which I adored. So my dances were my own versions of what I had grown up watching: Fred Astaire, Ginger Rogers, Doris Day, Audrey Hepburn moving dramatically across streets and fields in passionate, emotive and song-filled scenes.

I had plenty to be working out. In my young life I had already suffered a great deal. But my trauma had been locked away tight in a safe room of my psyche, so I wasn’t consciously trying to tell any particular story through these dances. My body-mind just needed to move and my soul just needed to express through that movement.

Favorite songs were Wings’ “Live and Let Die” and most of the album “Whipped Cream” by Herb Alpert and the Tijuana Brass Band. But I would dance to just about anything.

The dancing stopped somewhere around age 11. By that time, I had discovered food and TV and they became a kind of narcotic, a way to numb out the confusing feelings and thoughts that made life difficult. They became my number one coping mechanism, and saw me through until the teen years when other substances became available and appealing to me.

Did I dance again? Sure. At dance clubs in the 80’s and 90’s, where alcohol and often drugs were a part of the mix. At weddings, always somewhat self-consciously. There were a few attempts to go back to dance lessons so that as an actor I could be more marketable for musical theatre. I’ve danced in musicals and loved every moment. But the kind of dancing that I did in that living room back when? Nope.

Through my 20’s and 30’s, I had pics of me from that recital in my costumes, beaming. I think I even still have a bumblebee wing. Over the years, I have often used those pictures as self-reference, proof that there had been a time when I had been confident, happy in my body and free-feeling. I looked to those pictures to try to find hope that perhaps one day, I could find those ways of being again. Through much healing over the years, I have made a lot of progress. I go deep in my work as an actor and singer, and work from a place of a great deal of freedom often. But it has always still seemed to me that the girl I had been – with her total lack of self-consciousness, innocence and creative freedom – was to be forever out of my reach no matter how hard I worked for it.

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Then. Last week, a young director reached out to me and asked me to do his film. He’d had me in mind for the Woman in the script, he said, and he really, really wanted me to play her.

In the script, during the character’s most private inner moment, she transports herself through fantasy from her home bathroom to a gorgeous copper bathtub in a tiled tunnel in Central Park by the Bethesda Fountain. She is wearing a beautiful dress and a sax player is playing music in the background as she has this very free, very private, very joyful moment.

From the moment I read the scene, I imagined the woman dancing around the fountain.

I asked the director had he imagined the Woman staying in the tub in her private moment. He said yes, but that it was my private moment, and he wanted me to have complete freedom. (What a wonderful gift he gave me, that freedom. So grateful for his desire to collaborate.) So I had imagined my moments in the tub and was excited and curious for how the shoot would go.

I had not seen the location, so did not know that the tiled tunnel was a beautifully lit space that had arches in the background and copper hues, and that the tub would be placed in it, not near the fountain.

So that morning, as we arrived on location, when I saw the actual scene – the brick tunnel and the beautiful space that was surrounding the copper tub – and then heard the song the saxaphone player was to play, I knew that I had to dance out of the tub and around that beautiful tunnel.

And so on the first take, as the camera began to film, I began my private moment, made my way out of the tub, and I began to dance.

It was one of the most magical experiences I have ever lived. In the moments of my improvised dance, with the sax player playing for me and with me, the sun beginning to come up behind the fountain in the distance, hearing only the music and the echo of my own laughter, I felt myself dancing simultaneously as the woman I am right now and the little girl I was then. The tunnel and that living room became one across space and time. The joy that bubbled up through my body was total and whole, and it was such an honor to be in those moments bringing the Woman of the film and the director/writer’s vision to life.

Afterwards, we did more takes, and they were each wonderful but different in their own ways. There was no way to repeat that first take, and that was perfect too.

But I walked away from that shoot forever changed.

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There are moments in life where you feel that you are in the exact right place at the exact right time doing exactly what you were meant to do. In those moments, you can see that every other moment of your life has been a part of the making of this one magical moment. Every thing you’ve lived, every person you’ve met — the good, the bad, the ugly — it all makes total sense in those moments.

Those moments are astonishing. They are when I know I am a wondrous creation, a part of the whole that is this incredible Universe. I know in those moments that my life has been intricately designed, just as a rose has, or a peacock, or snowflakes. That nothing in my life – from the worst trauma to the most brutal pain – has been for naught. That it has all led to this moment in time, to this me that I have become.

That dance is forever in my heart now. It lives inside me, and it is the beginning of a whole new level of personal and creative freedom. I do not know what will grow from it, but I know that I have re-awakened something important inside, and I am so very grateful for that role finding its way to me, for giving me back the Dance.

#actorslife #danceforever #theheartremembers #itsnevertoolate #TheDanceoftheHeart

 

Translated Psyche

via Daily Prompt: Translate

When I was a kid, something very traumatic happened to me. The details are not important. Suffice it to say that it was something soul-shattering.

As in, as it was happening, parts of my soul literally broke off and went somewhere else because the pain was too great. Being so young, 5 years old, I simply had no way to cope with what was happening to me.

So my psyche did what it had to do in order to survive. It translated parts of itself. It sent the most vulnerable parts of itself to safer places and left the parts of me that could withstand the trauma better behind to live through and manage.

That’s pretty amazing I think.

Now, at the time, of course, and for decades afterwards, I had no idea that this had happened, that parts of my soul had translated to other climes.

I went about my life, growing up, maturing as best I could as a person with crucial parts of themselves off somewhere else. I cobbled together a way of coping, and moved through childhood into adolescence and into adulthood.

I managed to make a life. A life held together by skewed logic and broken-hearted, suppressed pain, but a life nonetheless.

My pieced-together life was less than ideal. On the outside, it may have looked pretty good. I had a loving family, friends, education, opportunities galore, and the resources to live well and pursue my dreams. I do not want to minimize my gratitude for these.

However, my soul was missing core parts, so my experience of life through all those years was lacking in ways that are hard to explain. I was always feeling slightly off. I had generalized anxiety all the time that I could not define or understand. A seemingly bottomless well of sorrow and a constant sense of an inner hysterical feeling just below the surface accompanied me through even the happiest of experiences.

Suffice it to say that when your soul parts have translated elsewhere, and you don’t even know it, there is an internal confusion that can be terrifying, complex and, at times, overwhelming. It can feel like you are suffocating or in danger of disappearing into nothingness, into the void.

Until I understood this, I did my best to drown out this overwhelm. This led to some pretty messy behavior and a great deal of “lost” time.

Thankfully, I was lucky.

One day, in a voice lesson with a very wonderful man, I happened to mention to my teacher that I thought a part of my soul had been destroyed by what had happened to me. He told me that the human soul could never be destroyed, was beyond human touch.

Something in his words struck me to my core. I literally felt as if I had been gently punched in the gut. And though my mind was cynical, my body resonated the truth of his words.

My journey was forever altered for the better that day. I eventually found assistance and came to understand what had happened to me. With that assistance, I have been able to heal the wounds from the trauma. And grieve. Not only for the original trauma, but for the lost time and the years of moving through life as a kind of ghost of my former self. That kind of loss is real, too. And worthy of grief.

I have learned how to create, over time, a strong and loving core from which to invite those missing parts back. And in time, they have come. Not all at once, but bit by bit.

It is an astonishing thing to actually feel a part of your soul fly back into your psyche.

For me, there is a rush of sensation within my heart and solar plexus accompanied by a kind of flutter of excitement in my belly, followed by a warmth that spreads throughout my body along with a rush of intense emotion, a blend of ecstatic bliss at being reunited and tremendous grief for having missed it for so long. I imagine it is like being reunited with a long lost parent or child.

I cannot adequately express the sensation. Maybe it is what being touched by an angel feels like.

I am left with a sense of wholeness. In time, the new part integrates with the rest of me. I feel more and more like who I really am meant to be. These parts that have returned contain elements of my spirit, my soul, that I haven’t lived with in forever: bubbling joy, innocent playfulness, open curiosity and more. The difficult parts have come back too: rage, terror. But I’m equipped to handle them, unlike the child I was. I can honor those parts too and find compassion and healthy ways to address them.

It is like I was living with 3 crayons and now have 98 to use. I was a walking sieve and now I feel like a whole, flowing, glowing mass of life. I was a lone prisoner in my own skin, and now I feel connected to all of Life. I was blind but now I see. It may sound mystical or hokey, but it is my truth. I do not believe that I am alone in having experienced this, either.

I have come to view the human psyche as an intricate and miraculously brilliant thing. It has the power to survive the unimaginable and come through the other end with even more depth and richness than before. The soul cannot be destroyed or even truly touched by human hands. But it can translate. And return again. And for that, I am truly grateful.

#thebrillianceofthehumanpsyche

Daily Post: Translate

Triggers and Pink Pussycats

I have been hard-pressed to write a blog since before Inauguration Day.

Like many, I am still processing significant losses that were, for many, contained in the recent election: the loss of President Obama, the loss of the America I thought I knew: the loss of the America of my own personal dis-illusion.

It took until two days after the Women’s March for me to realize how triggering the Inauguration and ensuing Presidency have been and are for me. I think I was operating in a kind of denial until then. While at the march, after first feeling incredibly hopeful, I began to feel uneasy. And after seeing that the march seemed to have had such little effect on the administration, it hit me.

I was triggered. Feelings of powerlessness were flooding my system. I was feeling overwhelmed with the sense that my truth, my voice was falling on deaf ears and was of totally no consequence. That things happening were not of my choice, and I had seemingly no recourse to stop them. Reality mirroring crucial traumatic events from my past blasted open the floodgates of remembered trauma.

I know I am not alone. Anyone who has been violated at some point in their life may be triggered again and again in the next four years.

So what can we do about it? How do we survive the daily onslaught of confirmations and executive orders and hard-won laws being threatened from powers-that-be?

Thankfully, I have found some very helpful posts that address this very issue. And if I cannot bring myself to write about usual things right now, I can write about why and I can share what I am doing to address the problem.

One of the best I have read is “How to #StayOutraged Without Losing Your Mind
Self-Care Lessons for the Resistance” by Mirah Curzer. Some great things to consider as we move forward, together.

Another article has been very helpful to me. N Ziehl’s “Coping with Chaos in the White House”. The author shares their experience of living with a person having narcissistic personality disorder (NPD.) I am not diagnosing anyone here. But this article spoke to me. It made a great deal of sense and gave me some helpful insights.

What I have been feeling are awful feelings to re-experience. But it was a relief to recognize that they are happening: to know that though there is a present reality that is indeed traumatic to me, there are many other layers happening that are from wounds from the past. Knowing this, I can let the current situation be “right-sized,” and then process the past triggered pain so that I can take good care of myself today. From this place of awareness, I can then take actions to do what I can in order to stay empowered and able to persevere the next four years.

I am finding for me, in addition to practicing the best self-care I can, taking actions each day that help me stay informed and connected to the lawmakers that I voted for, as well as those I did not, is crucial. These actions – calls, emails, letters, non-violent protests and marches, donating to re-election campaigns and organizations that I believe in – they keep me sane.

I am careful as I digest the information that pours forth on social media. I check in with my body, a lot, especially after getting shockingly bad news, such as the “alternative facts,” the travel ban, the recent confirmations, the silencing of Elizabeth Warren. I never know when something new will spark a trigger. I take deep breaths and ask my body what is going on, and I listen closely.

And I lean on my communities. I stay connected to like-minded people who are also active, because it is too easy to begin to feel hopeless as all of this unfolds. We can remind each other that there is power in love and that our actions and our voices do matter. They can remind me of the headway that is being made in our causes when I am feeling low. Together we can persist.

My artist friend Laura Baran created the “We are One” illustration at the heading of this post the weekend of the Women’s March. I keep her beautiful image near to remind me to keep love at the center of all I do.

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I also reach for my “Don’t Sass the Cat” tee created by another friend, a clothing designer named Jacquie of jqlovesu. It reminds me to keep a sense of humor and to remember the power of love and of people who love people. I run and I sweat and I cry and I sleep and I work to stay hopeful no matter what by taking action.

I am a Lover of Humanity. I am an American. And I want to be a part of the solution. It will be work. But I have never been one to shy away from a challenge.

#neverthelessshepersisted #pussyhat #dontsassthecat #weareone #beapartofthesolution #loveaboveallelse

Altered

The course of my life was irreversibly altered in miraculous ways on a Wednesday night in January 2011.

The dictionary defines the word “alter” as the following: change or cause to change in character or composition, typically in a comparatively small but significant way.

If you’ve been reading my blog, you may have noticed that I am very interested in (aka obsessed with) the seemingly small moments that occur in life that often end up holding huge significance. Meanings that are unknowable at the time later reveal themselves. The course of history is changed in those small moments, the sometimes seemingly random decisions we make.

This is the story of one of those moments for me.

I had been having a tough time in the latter third of 2010. The whirlwind of my wedding and its aftermath had finally settled down, and the events of the years leading up to the wedding finally really hit me. I’d lost my mother, my brother and my father in succession, and I just sort of imploded.

That December, somehow, an email made its way through my inbox. (To this day, I am not sure how). Perhaps the angels sent it to me. It was about a movement class taught by someone named Erin Stutland. I had been unable to get myself to the gym for a year or so, and felt as awful physically as I did emotionally. Something in the description of the class spoke to me. It wasn’t just your typical workout class. There were affirmations involved. What?!

Something made me sign up. And on that Wednesday night of January six years ago, I went. Little did I know that meeting Erin would be the gift that just keeps on giving. Erin believes that movement in your body creates movement in your life and that all good things flow out of a deep self-love. I have seen and experienced firsthand the power of her philosophy in action.

Not only did Erin’s class start me on a new course in terms of movement for my body, but it helped me begin to make shifts in my relationship to how I thought about so many things.

And if that weren’t enough, I was welcomed into a community of women and men there, amazing people, many of whom I am still in contact with today. The work we did with Erin created powerful change for so many of us.

I have watched as people in that community made their dreams become reality. Major life changes such as weight loss (one woman lost 100+ pounds), career path changes (one woman fulfilled a dream she uncovered while in the class of becoming a minister), recording artist dreams realized, dream roles acted on stage and film, cross-country moves to dream jobs and cities, dream soul mates, marriages and babies born, and more.

One of my goals in the class was to find my inner athlete. Two NYC marathons and countless half marathons later, I can say I found her. It has been a deeply gratifying journey that continues.

My other goals had to do with my career as an actress, and finding more belief in my talents, in what I had to say through my art. I can actually say that the creation of this blog had its seeds in her class. Much of the positive movements I have made in the last 6 years grew forth from the mindset and the tools I found there, and were supported and nourished by the community there. That support and that community continues to this day.

I am so grateful for having met this beautiful, extraordinary and dynamic teacher, and for all of the gifts she has given to me.

I want to introduce you to her, too, because she is on the rise, and someone you should know. I am so proud of her and excited for her! (And for the many, many more people who will soon be benefitting from her expertise.)

You can find out more about Erin at her website here.

Erin is now a co-host on an exciting new show called Altar’d (perfect name!) that is set to debut this week!

Altar’d follows 6 couples who are looking to not only transform their bodies, but more importantly adopt healthy lifestyles and habits before they come together for the most important day of their lives, their wedding.

The first episode will be airing THIS TUESDAY, JAN 17th at 8pm on Z Living. You can read more about this show here. Take a look at the trailer below:

Here’s how you can tune in! To make sure Z Living is available through your cable provider, click here.

I cannot wait to see how this remarkable woman helps to shape the worlds of so many more as she gains exposure and continues to co-create the platforms to share her gifts.

I celebrate the growth and movement I have made in my life with Erin’s help since wandering into her class that fateful evening six years ago. I took a chance and I am so glad I did.

#erinstutland #altar’d #powefulchange #takeachance #loveisthekey

Word for the Year

I came to 2017 eager to find the word that will be my north star, my guide, as I navigate through the unknown terrain of the year ahead. I found a wonderful exercise last year through the work of Susannah Conway, and through it, I have have dug and delved to discover the words to serve as my anchor for 2017, that encompass what my spirit needs.

Last year, my words were EXPAND and CELEBRATE. I chose these words because I felt I needed to start going beyond the ingrained Protestant-shaped boundaries from my upbringing that were keeping me modest, careful, polite, protective, cautious and introverted. I wanted to get more comfortable with putting who I really am and what I really think and feel out there. (This blog was a big action in that regards.)

In my work as an actress, I wanted to go deeper and start letting myself be seen and heard on a deeper level and to a greater scope. To start to go beyond what and who I knew. To expand my circles.

In my relationships, I wanted to connect more with the people already in my life, and allow myself to make more genuine connections with people who I wanted to get to know.

I also wanted to begin to really focus on celebrating all that I have and am, and that I do in my life. I tend to focus on what I have not done and what I feel I am lacking. I really wanted to develop the muscle of celebrating my accomplishments and all that is working in my life. My strengths. Even my so-called failures. To celebrate my life, my self, what has happened, is happening and that I am working towards. Little things, big things. All of it.

I can see now that these focuses really were a through-line for me over the past year. It has become second-nature for me to recognize the good in what I am doing each day instead of only seeing what I have not gotten to. I can more easily have difficult conversations. Certain interactions are becoming easier and I feel much more authentic and seen and heard. I know that I have been getting to some exciting work within myself in my acting. Going deeper than ever before.

I have more work to do in these areas. I am a work in progress. But much movement was made, and it was exciting and gratifying. Very gratifying. Sometimes blissful even.

This year, after looking at how the year unfolded and making plans for what I want to bring into 2017 and create more of, and doing Susannah’s exercises, I discovered my words for the year.

(It is always a bit of a challenge for me to pick just one word. Thankfully, there are no rules around this, so I get to do it however my soul sees fit! I chose a main word, and also have a supporting word, along with many words and phrases that these mean to me for my life for the next year.)

After much soul-searching, I had narrowed it down to five:

Curiosity, Courage, Stretch, Soar, Creativity

In the course of the exercise, I found that DARING really encompasses all of those words for me. I am a big fan of Brene Brown, so when I started to create a Pinterest Board to support my Word for 2017 and the name of her book kept coming up, I knew I had found just the tweek my word needed to make it THE ONE!

DARING GREATLY. I am in love with this phrase and it just lights me up.

I want to put myself out there personally and professionally in ways that go deeper and more authentically than ever before. I want to soar, to go beyond expectation, to extend, to reach out, to amplify, enlarge, expand. To live full heartedly and be willing to take risks and try out new methods, ideas and experiences. To utilize courageous behaviors in order to find out more about the things that I am passionate about. To doubt my fears and my judgements and be brave enough to be curious instead to find out what limits really exist, if they even really do! To live from my curiosity and not my fear.

I am keeping STRETCH as a supporting word. Just saying that word makes me want to move. I want to use everything I have learned to the fullest extent of my capacity and then go even further until I reach the point of failure so that ultimately I keep stretching that fullest point further and further. I had a taste of that this past year when filming the lead in a feature film. It was amazing to use everything I had and go farther than I imagined I could and be in the space of beyond-the-whole-of-what-I-knew. From that place, I could keep truly learning and growing. I realized that that is the path of the artist, the craftsperson, and I do not want to turn back from that path.

Not just for my professional life. In my personal life, too, I want to be adventurous and go deeper. Push the limits of my comfort zones. See how connected I can feel to the people in my life, and nature, the world, even. Daring greatly and stretching to be truly intimate in my relationships and in my work.

I created this through Tagul.com to use as a reminder of what these words mean for my year:

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It is my touchstone as I move through the year’s unplanned challenges and unexpected opportunities for growth (aka when the shit hits the fan.) It is my guide as I choose how to spend my time and the way I choose to feel as I spend it.

What will your word for 2017 be? Happy digging.

#findyourwordfor2017 #susannahconway #daringgreatly #stretch

Happy Holidays

From my mother’s collection of Santas. And the Manzanita Tree, now on display at Christmas at my sister-in-law’s house. Happy holidays to all!

#Santas #FamilyTreasures