The Dance*

When I was a little girl, I took dance lessons. From the age of 4 or so, I took, tap, jazz and ballet. I have vague memories of doing some kind of moving across the floor and the teacher saying “Jeté, jeté!” as we stepped from foot to foot.

I loved those lessons. There was a big dance recital, where my mom made costumes for me: I played a bumblebee and a munchkin.

When we moved to Dallas when I was 5, for some reason, the dance lessons stopped. It was a hectic year, and the business venture that my Dad had moved us there for failed, so after the year, we moved back to Houston, to a different part of town and a different set of circumstances. Finances were tight, so extras like lessons were put to the side.

But. I did not stop dancing. I would put my parents’ albums on the record player and dance my little heart out. This was way before MTV or dance videos. The only references I had were old Hollywood musicals, which I adored. So my dances were my own versions of what I had grown up watching: Fred Astaire, Ginger Rogers, Doris Day, Audrey Hepburn moving dramatically across streets and fields in passionate, emotive and song-filled scenes.

I had plenty to be working out. In my young life I had already suffered a great deal. But my trauma had been locked away tight in a safe room of my psyche, so I wasn’t consciously trying to tell any particular story through these dances. My body-mind just needed to move and my soul just needed to express through that movement.

Favorite songs were Wings’ “Live and Let Die” and most of the album “Whipped Cream” by Herb Alpert and the Tijuana Brass Band. But I would dance to just about anything.

The dancing stopped somewhere around age 11. By that time, I had discovered food and TV and they became a kind of narcotic, a way to numb out the confusing feelings and thoughts that made life difficult. They became my number one coping mechanism, and saw me through until the teen years when other substances became available and appealing to me.

Did I dance again? Sure. At dance clubs in the 80’s and 90’s, where alcohol and often drugs were a part of the mix. At weddings, always somewhat self-consciously. There were a few attempts to go back to dance lessons so that as an actor I could be more marketable for musical theatre. I’ve danced in musicals and loved every moment. But the kind of dancing that I did in that living room back when? Nope.

Through my 20’s and 30’s, I had pics of me from that recital in my costumes, beaming. I think I even still have a bumblebee wing. Over the years, I have often used those pictures as self-reference, proof that there had been a time when I had been confident, happy in my body and free-feeling. I looked to those pictures to try to find hope that perhaps one day, I could find those ways of being again. Through much healing over the years, I have made a lot of progress. I go deep in my work as an actor and singer, and work from a place of a great deal of freedom often. But it has always still seemed to me that the girl I had been – with her total lack of self-consciousness, innocence and creative freedom – was to be forever out of my reach no matter how hard I worked for it.

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Then. Last week, a young director reached out to me and asked me to do his film. He’d had me in mind for the Woman in the script, he said, and he really, really wanted me to play her.

In the script, during the character’s most private inner moment, she transports herself through fantasy from her home bathroom to a gorgeous copper bathtub in a tiled tunnel in Central Park by the Bethesda Fountain. She is wearing a beautiful dress and a sax player is playing music in the background as she has this very free, very private, very joyful moment.

From the moment I read the scene, I imagined the woman dancing around the fountain.

I asked the director had he imagined the Woman staying in the tub in her private moment. He said yes, but that it was my private moment, and he wanted me to have complete freedom. (What a wonderful gift he gave me, that freedom. So grateful for his desire to collaborate.) So I had imagined my moments in the tub and was excited and curious for how the shoot would go.

I had not seen the location, so did not know that the tiled tunnel was a beautifully lit space that had arches in the background and copper hues, and that the tub would be placed in it, not near the fountain.

So that morning, as we arrived on location, when I saw the actual scene – the brick tunnel and the beautiful space that was surrounding the copper tub – and then heard the song the saxaphone player was to play, I knew that I had to dance out of the tub and around that beautiful tunnel.

And so on the first take, as the camera began to film, I began my private moment, made my way out of the tub, and I began to dance.

It was one of the most magical experiences I have ever lived. In the moments of my improvised dance, with the sax player playing for me and with me, the sun beginning to come up behind the fountain in the distance, hearing only the music and the echo of my own laughter, I felt myself dancing simultaneously as the woman I am right now and the little girl I was then. The tunnel and that living room became one across space and time. The joy that bubbled up through my body was total and whole, and it was such an honor to be in those moments bringing the Woman of the film and the director/writer’s vision to life.

Afterwards, we did more takes, and they were each wonderful but different in their own ways. There was no way to repeat that first take, and that was perfect too.

But I walked away from that shoot forever changed.

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There are moments in life where you feel that you are in the exact right place at the exact right time doing exactly what you were meant to do. In those moments, you can see that every other moment of your life has been a part of the making of this one magical moment. Every thing you’ve lived, every person you’ve met — the good, the bad, the ugly — it all makes total sense in those moments.

Those moments are astonishing. They are when I know I am a wondrous creation, a part of the whole that is this incredible Universe. I know in those moments that my life has been intricately designed, just as a rose has, or a peacock, or snowflakes. That nothing in my life – from the worst trauma to the most brutal pain – has been for naught. That it has all led to this moment in time, to this me that I have become.

That dance is forever in my heart now. It lives inside me, and it is the beginning of a whole new level of personal and creative freedom. I do not know what will grow from it, but I know that I have re-awakened something important inside, and I am so very grateful for that role finding its way to me, for giving me back the Dance.

#actorslife #danceforever #theheartremembers #itsnevertoolate #TheDanceoftheHeart

*Repost Inspired by The Daily Post Daily Word Prompt: dancing

This is a repost, but I really, really needed to re-read this today. I am feeling a bit lost, especially creatively. It feels like that connection with The Dance inside me is very faint if not non-existent – there’s been too much chatter going on inside lately that has nothing to do with joy, freedom and the sheer bliss of creation.

I needed to remember that in-between the astonishing moments of feeling like I am exactly where I am meant to be, there are moments of feeling totally lost. And each gives value and meaning to the other.

Sometimes I am dancing, sometimes I am stuck, or falling. Sometimes I am in the fetal position. Sometimes I am flat on my face.

I m reminded of a spiritual teacher who taught me to write a letter to myself during a time I am very, very happy and to save it for my unhappy self to read, to give me hope during the down times, to help me remember that there will be better times again. To remember the ebb and flow, the ups and downs. The times of movement and the times of apparent stasis. It has been a powerful exercise at times.

I will dance again, soon.

May we dance for each other when it is time to dance. May we dance for those who cannot hear their own music today.

 

 

Good Fences

For as long as I recall, I’ve carried within me the following line:

Something there is that doesn’t love a wall

I can’t usually remember what poem it is from. I probably read it in high school English.

But it has stayed with me all of these years intact, the way wonderful writing can. It visits me at times, like an echoed wisdom from an ancestor since passed.

I think it stuck with me because even in high school, I sensed the existence of walls inside me.

I didn’t know it consciously. But often the Frost quote would float through my mind paraphrased as “There is something in me that doesn’t love a wall.”

Looking back, the Freudian slip was prophetic.

Those walls were walls that I’d built to protect me, but they’d also held me prisoner, because I did not know then that they were of my own making, and therefore my own to remove.

Years later, through much personal healing and growth, I’ve come to terms with my inner walls, and I find I am both of the people in Frost’s poem.

Something there is that doesn’t love a wall,

That wants it down.

Like the narrator, I, too, find that my walls want to come down.

Though I’ve come to accept them as a part of me to love and find compassion for, they also feel like something that wants to be dislodged, or that needs to disintegrate, feeling like foreign matter in the organic soul forest I inhabit within.

And like the neighbor, some ancient part of me feels them to be necessary. It’s as if there’s an ancestral heritage in place that pulls me to them, at odds with the part within that wants them down.

He will not go behind his father’s saying,

And he likes having thought of it so well

He says again, “Good fences make good neighbours.”

I thank those parts within for their concern, and the peoples from which I came who needed walls to survive.

I thank them for their love and care.

I respectfully let them know that today, I choose a different way.

I feel their support at my back as I step out into the Great Adventure.

I lovingly dismantle each wall, and face the leafy, lush green of the world within and without, with my face towards the sun, unafraid of the shadows.

I wonder if Robert Frost was speaking of the walls within, too.

I like to think so. It makes me feel we are connected, like good neighbors can be.

Mending Wall

BY ROBERT FROST

Something there is that doesn’t love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

The work of hunters is another thing:

I have come after them and made repair

Where they have left not one stone on a stone,

But they would have the rabbit out of hiding,

To please the yelping dogs. The gaps I mean,

No one has seen them made or heard them made,

But at spring mending-time we find them there.

I let my neighbour know beyond the hill;

And on a day we meet to walk the line

And set the wall between us once again.

We keep the wall between us as we go.

To each the boulders that have fallen to each.

And some are loaves and some so nearly balls

We have to use a spell to make them balance:

“Stay where you are until our backs are turned!”

We wear our fingers rough with handling them.

Oh, just another kind of out-door game,

One on a side. It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, “Good fences make good neighbours.”

Spring is the mischief in me, and I wonder

If I could put a notion in his head:

“Why do they make good neighbours? Isn’t it

Where there are cows? But here there are no cows.

Before I built a wall I’d ask to know

What I was walling in or walling out,

And to whom I was like to give offence.

Something there is that doesn’t love a wall,

That wants it down.”

I could say “Elves” to him,

But it’s not elves exactly, and I’d rather

He said it for himself. I see him there

Bringing a stone grasped firmly by the top

In each hand, like an old-stone savage armed.

He moves in darkness as it seems to me,

Not of woods only and the shade of trees.

He will not go behind his father’s saying,

And he likes having thought of it so well

He says again, “Good fences make good neighbours.”

More on my walls: Palisade

And: Essential Excavation

Inspired by The Daily Post Daily Word Prompt: neighbors

Hangry

I’m simmering underneath this facade

Of polite, hopeful citizen

I’ve got rage on a low boil

I’m hungry for equality

And an end to the bloodshed

I need to stop stewing

Time to eat or get off the pot

Inspired by The Daily Post Daily Word Prompt: simmer

Addendum

Watch me climb

See me rise

See the power

Behind my eyes

Think I’m nothing

But tits and ass

Here to serve you

Not ranking class

Know my glory

Know your loss

No longer welcome

No more the boss

I know my value

I own my fire

Try to shoot me –

I’ll just fly higher

Inspired by The Daily Post Daily Word Prompt: ascend

Risk Aversion*

I read my writing aloud in public for the first time two weeks ago.

I began this blog a year and a half ago as a way for me to begin to break the silence and shame I felt inside.

You see, I grew up in an environment that encouraged me to suppress my feelings and my true thoughts. In essence, I learned to hide my truth.

Because of things that had happened to me when I was young, I was afraid that to speak my truth would bring pain to others in my family. I needed their love, so I learned very early on to present a version of me that would be pleasing for them and others. It was literally a matter of survival, keeping my truth hidden.

Additionally, problems in our family were not acknowledged verbally for the most part. We pretended to each other they did not exist. If it was something that absolutely could not be hidden, there was a real strong pressure to keep the family problems secret, to keep them inside the home. I was not verbally warned not to seek help. But I knew it was considered dangerous.

So I learned to keep my true self buried deep inside, hidden far away from my family, and from the outside world.

I got so good at it, I lost touch with my own true self. I had hidden it so well, it became hidden from even myself.

I am a performer, so I need to be able to use my truth to reveal the truths of the characters I play. I learned to go deep within, but I found that as much as I loved bringing what I could to my work, there were internal tensions that made it very challenging. And so I began to embark on unraveling those tensions, to see what was underneath, to find more freedom and to expand my capacity to reveal through my work.

It has been an amazing process. I did not set out to, but I have ended up finding my self in the process. I’ve been making a deep excavation within, bringing out the remains into the light.

It has been excruciating at times, terrifying, wondrous, exquisite, mind-blowing, beautiful, sad beyond belief. But most of all, it has been a becoming whole.

In the process of finding me, I discovered that I wanted to be able to own and share my truth without fear or shame. So I started to practice doing so.

First in small, safe ways. To trusted people. Then, I began increasing the risk level, expanding my level of comfort by extending myself into the world in ever-widening circles.

This blog has been a hugely gratifying experience. It has been so important for me share my true internal experience, my real creativity, here. There have been times I have felt so fearful after hitting the publish button…it has felt so risky…what if someone in my family reads it? What will they think of me? If people know this or that, will they see me differently? Will they judge me, label me, only see me this way or that?

I realized that I was so afraid of only being seen for what has happened to me or what I have done, the mistakes I have made, or what I have NOT done or accomplished. I didn’t have a sense of being valuable just as I am, not what I do, did, will do, haven’t done.

The blog and posting has been stretching me in so many great ways. It has also helped me learn to let go of needing to be seen a certain way in order to feel valuable, safe or lovable.

What I did not expect was how amazing it would be to have people read and then reach out to share back. That has been and continues to be such a gift. (So thank you.)

And then, I had the opportunity to submit a piece I adapted from a blog post for an evening of work written by women on what it means to identify as a woman.

When I began writing this blog, I had never, ever intended to read my work anywhere, but there I was, sending it in, in hopes of being chosen, so I could share my work live, in person. (What?!)

When it was selected, I was ecstatic. And terrified.

Every childhood-conditioned muscle in my body was braced for trouble. Every old voice that wanted to keep me silent was working on my psyche: Who was I to think I had something of value to share? What if I upset people? What if someone was unhappy with what I had to say?

In the week before the event, I was questioning my sanity in having chosen to do it.(What was I thinking?! Why was I putting myself through this?!)

The fear and the voices continued right up until showtime and as the first readers read their work.

And then, my name was called. My turn. I gathered together my courage and began the long walk down the aisle, my heart pounding in my chest.

And then three steps from center stage, I suddenly felt something click inside. When I stepped into the light, I just knew in my bones that I was in the right place at the right time. I felt a sense of home inside. I felt warm. I felt safe.

What an amazing experience! It was an experiment, but it turns out I love sharing my words live, and also experiencing the words of the others involved. Who knew?

I am so grateful to whatever healing force inside me has been leading me on this journey to be free. It is a beautiful thing to break free of the shackles of one’s own past and to be able to freely express one’s own self.

*(Written 10/17/17, but I used a draft from Oct. 1 and didn’t realize I needed to change the date before publishing it! So here it remains, looking like I wrote it Oct. 1. But I promise I wrote it 10/17/17.)

Reposted in Response to The Daily Post Daily Word Prompt: risky

Unlearn Me

Such a good girl

Learned early on that love is earned

Don’t rock the boat

Don’t step out of line

Now I know

I disobeyed my own instincts

Pushed away what made me me

Learned to sit on my own impulses

Well, I’ve started a reeducation

Gonna free me from my self

Gonna be a good girl to my own girls

Get a masters in following my own heart

Inspired by The Daily Post Daily Word Prompt: disobey

PSA

It is with great sympathy

That I must report

The end of an era:

The Era of Me Caring What You Think.

What you think about me or what I am doing with my life. About anything you think about, really.

(And when I say “with great sympathy” I’m being ironic, in case you missed it, being so wrapped up in your own megalomania and all.)

Buh-bye!

Inspired by The Daily Post Daily Word Prompt: sympathy

To the Core

I used to hate myself.

Seriously. I hated just about everything about me. I was fixated on the way I looked: I felt like a monster, something grotesque, misshapen, disgusting.

This was painful, and difficult. It is hard to relate and be in the world when you have that kind of hatred for your body.

But as I look back, the most painful kind of hatred I felt towards myself was the hatred I felt for the ways I felt and thought. I felt tormented by my own mind and feelings and sought escape in every way imaginable, including close contemplation many times and one failed attempt at ending my own life. I could not get away from this internal self I so hated. I felt like a freak trapped inside a monster’s body.

I wasn’t born with that kind of self-hatred. It developed slowly over time in my early years following trauma that created a kind of split from my own core. Losing connection to my core made me vulnerable to the outside world in a way that was devastating.

With a healthy core intact, dealing with bullies and the other social pressures at school is painful and impactful but does not warp one’s self-perception.

With a healthy core intact, a person can withstand the challenges that exist in most childhood homes where there are people with untreated mental issues, and where there are emotional, sexual and physical abuses or neglect as a result of parents who themselves were abused or neglected.

Without a healthy core intact, the affect of these kinds of external forces become stronger, louder than one’s own innate internal sense of self, sense of well-being, of any innate self-support. As a result, these events, people and experiences bend and shape one’s sense of inner and outer self and reality.

The best way I can describe living without that connection to my core sense self is to have been like a tissue blowing in the wind, this way and that, getting stuck wherever the wind took me.

I do not have multiple personality disorder, so I cannot speak to what that experience is like, and I do not mean to offend anyone who does. But I have sometimes imagined that what I experienced was somehow related. I could not hear my own internal voice most of the time. I was “hearing” the world, and it was loud and dangerous to me.

Living when you are disconnected from your core is terrifying. It is suffocating. It is lonely. It is deadly.

I am lucky, because even though that connection was severed, there was always somewhere deep within me some sense of something to keep fighting for. One tiny shred of connection to a core that I could imagine if not feel or often hear. I didn’t trust it or understand what it was. But it was there and I could sometimes hear it in the very darkest moments.

Like the moment some years ago now when I had the razor blade that I had bought and planned to use in my fingers and held to the skin of my left wrist, ready to end my suffering. That tiny shred began to whisper to me, “What if I am wrong? What if it could get better?”

That tiny shred, and the realization in the moment that followed that I was reneging on a promise I’d made to my two cats – whom I loved desperately – that I would always look after them, that they would never know fear or be homeless again after their difficult early lives feral on the streets of NYC, saved my life that day.

I have written about coming home to my own core within myself in previous posts Dormant Child and Cutting the Cord.

The work of healing my fractured soul has been profound, difficult and beautiful. It is on-going work, but I have come such a long way.

To re-connect with and then feel a permanent connection to my own core self – to know my own essence – has been at times a shockingly powerful and painful process. And at the same time, the most intricate, exquisite and intimate experience I have ever known.

One of the greatest gifts of this this connection to my core, this freeing of my inner selves (every age I have ever been) and this healing of the traumas of these selves into wholeness, has been a growing love and appreciation for my self.

I have learned to love my body for what is does, not how it looks. I have grown a gratitude for my physical abilities and strengths, and try to find joy in moving my own body, using my own voice. Today, I have reverence for all that my body contains. It contains multitudes and is wise beyond my mind’s own wisdom. It holds the Truth, and it never lies.

I look for the miracles within and without, and because I have cleared away what I can of the detriment that is not of my true essence, I find them. The detritus that remains from my past does not clog my joy as it once did. I love the detritus, too, for it holds important information. There is often even gold to be found in what remains.

I genuinely enjoy my own company today. I like the way I experience the world: my own peculiar sense of humor, the unique way I think and feel. I am no longer tortured by my own thinking. I am no longer tortured by being me.

This is huge. Not to say I do not experience anxiety, racing thoughts, negative or critical thinking (the Inner Critic, the Critical Mind, the Ego, whatever you want to call it.) I do experience all of those things and more (panic, depression, the pull towards self-destruction.)

But I am no longer a tissue blowing in the wind.

I am a mighty tree, strong and constantly expanding into the world around me. Yet I am flexible and can withstand whatever weather comes my way because I am rooted, and those roots go deep. I take nourishment from the elements that support my growth. I no longer look for sustenance from sources that can not provide what I truly need to thrive.

I live in light today. There is darkness, yes, but it is a different kind of darkness. I no longer fear the dark places, because I am always there. I trust myself to see myself through whatever comes my way.

Inspired by The Daily Post Daily Word Prompt: peculiar

With much love and thanks to the gifts and work of Suzanne Connolly.

Pathfinder

Perhaps my way’s not been graceful

I’ve done my best, and that’s not for nothing

At times I’ve lurched or been wasteful

But it’s been my way, and that is something

Inspired by The Daily Post Daily Word Prompt: lurch

Flight

I lay on my side

Face away from the door

Stay still, slow my breath

Pray he thinks I’m asleep

Then a breeze shocks my back

The sheet lifts, the bed shifts

Hot breath at my neck

No luck tonight, fear chokes my heart

I go into a trance, nothingness

The familiar comfort of the void

Leave my body, don’t need it

My soul and I, we float into the wallpaper

Inspired by The Daily Post Daily Word Prompt: trance