growing up

Roots for a Generation

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Inspired by The Daily Prompt: Roots

Growing up in the 60’s and 70’s, television was a profound presence in our home.

My earliest memories are of hearing the word “Watergate” being discussed on nightly news. I don’t recall images or specifics, but I do remember wandering through the room and the adults being very interested in the TV screen.

I remember loving Romper Room with every fiber of my being, awaiting the day when the hostess would say my name as she held her magic TV mirror up in front of her face at the end of the show, calling out to little viewers in their living rooms as if she could rally see us there. (If you are too young to have any idea of what I am referring to, this is what I am talking about.)

But the biggest television event from my youth (pre-MTV that is) was, hands-down, Roots.

Roots was a 1977 miniseries based on a book written by Alex Haley. It was the story of African teen Kunta Kinte, brought to America to be enslaved, and the generations of his family and eventual emancipation.
A remake was made in 2016, and it once again became a television event. But the impact it had in 1977 can never be repeated. It was a different time.
In 1977, it was pretty huge that network TV was devoting so much time to an African American story. And we didn’t have the internet. Our cultural exposure was limited to television, films, art and books. As a young person, television was pretty much all.
And to my middle class, fairly all-white community, Roots brought to full technicolor glory some of the stories that had only been read about (barely and I am sure very biased-ly) in our history books.
I remember clutching pillows and crying, feeling outrage and shock at the outrageousness of the treatment of Kunta Kinte and his family. My friends and I talked about what we saw on-screen at school the day after the episodes. It opened our little minds up to whole other realities of our history.
According to Wikipedia: Roots received 37 Primetime Emmy Award nominations and won nine. It also won a Golden Globe and a Peabody Award. It received unprecedented Nielsen ratings for the finale, which still holds a record as the third highest rated episode for any type of television series, and the second most watched overall series finale in U.S. television history.
Apparently, the making of the miniseries was quite controversial in that the executives are afraid it would bomb. The Museum of Broadcast Communications recounts the apprehensions that Roots would flop, and how this made ABC prepare the format:

Familiar television actors like American [sic] actor Lorne Greene were chosen for the white, secondary roles, to reassure audiences. The white actors were featured disproportionately in network previews. For the first episode, the writers created a conscience-stricken slave captain (Edward Asner), a figure who did not appear in Haley’s novel but was intended to make white audiences feel better about their historical role in the slave trade. Even the show’s consecutive-night format allegedly resulted from network apprehensions. ABC programming chief Fred Silverman hoped that the unusual schedule would cut his network’s imminent losses—and get Roots off the air before sweeps week.

— Encyclopedia of Television, Museum of Broadcast Communications
 All important to examine today, and I am sure there are wonderful articles that analyze and explore such things much better than I can, but I didn’t know any of that then.
Then it was just a really riveting and important piece of television, one that told the stories of people and of a time in American history about whom I knew very little about up until that point.
I am so grateful for that. Historically accurate or not, it brought into our living room and into our classrooms another way of understanding who we were, where we had come from. It was a powerful use of the medium of television, and it opened up more than a few minds, I hope, to considering more than just what we had been told about America up until that point.
May there be many more “Roots”-inspired works to come. Maybe now more than ever we need such powerful television to be created.
#Roots #television #powerfulstories

On Being “Childless”

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via Daily Prompt: Ruminate

There are things that I ruminate on, like the way my tongue cannot keep itself off of the sharp, spiky tip of my left incisor.

One of those things that I touch on again and again despite its spiky sharpness is the subject of being childless. It is uncomfortable terrain, but I go there again and again anyway.

I hate that term, “childless.” As if by not having a child, you are less somehow, than those who have had them.

Some people prefer “childfree.” That doesn’t quite feel right to me, as if children are something that I wanted to avoid for health reasons, like gluten, or sugar.

I love children. I think they are the greatest people on the planet. I have many children in my life.

But no, I am not a mother.

And boy, is that complicated. For me, and for most people in the world, it seems. So I must, in sensitivity to other people who do not have children and have their own personal relationship to this issue, offer a disclaimer.

I, in no way, speak for other people who do not have children. There are many reasons why people do not have children, are not parents, do not give birth. I cannot speak for anyone but myself. And I cannot know what anyone else’s feelings and experiences around this issue are, and would never attempt to represent them.

I am also not writing here about all the experiences I have had over the years around this issue and my decisions. I am not trying to explain or defend in any way my choices. (I actually am not even going into the reasons for my choices.)

I am writing about what still can get to me around the whole “childless” thing.

It is a continually odd experience to be in the world as a person over a certain age, married, and not to have had a child or children.

I have come to terms with my choices to the best of my ability. I stand by them. They are mine, and they make absolute perfect logic for my unique-to-me life.

Usually, I do not feel less than around this given, this fact that I have not had/do not have children. I do not feel odd. Being the one living my life, my choices are perfectly normal to me.

Yet. There are those moments, when people ask me, “Do you have children?” when I admit that sometimes I doubt myself. That self-doubt can be devastating, for it is as if I turn on my self without meaning to because of my own social conditioning. Let me explain.

Someone I am just meeting or have been getting to know asks me if I have any children. I calmly say “No.”

Well, today I calmly say “No.” There was a time when I would be so uncomfortable leaving it there out of such fear of what they might say, that I’d make an attempt to avoid it by sort of explaining without explaining (as if I owed anyone an explanation!)

“No, no kids. Just didn’t…um…nope.”

(I learned in time that that seemingly small abandonment of my self to avoid the discomfort of answering the question carried way too high a price. That it actually chipped away at my soul. I learned that tolerating the discomfort that followed my simple “No” was a far better choice.)

Back to the story. To recap: they ask “Do you have children?” I say, simply, “No.”

Then it happens.

You see, there is always a small pause before they say something polite, like “Oh.”

In that pause, I can hear the wheels of their mind turning. I know that they are quickly scanning for possible reasons for my lack of children and that they then jump to conclusions and judgements about this fact, this given.

In that pause, a part of me suffers a little as I sense one of three experiences they are having around this information they’ve just been given.

In scenario one, it is as if they are considering I may be/have been barren (what a horrific word) as in there may be a biologic reason for not having had children. I can often detect a hint of pity and sometimes even shame on my behalf. If there was a thought bubble above their head it might read, “Oh, poor thing. She was defective in some way and could not conceive.” “Oh,” they say, in a somewhat reverent tone.

Ahhhh. Message received. So I am less than a woman – a normal woman, a woman who’s able to bear a child – a mother. I am not that. I am somehow not able to be THAT, to be a whole woman. I am lacking. I am deficient. I am tragic.

Scenario two. I sense in that pause that they jump to the conclusion that I chose my career first, because why else would a perfectly healthy, “normal” woman not have had a child? The bubble might read, “Oh. You were too busy putting yourself first to have a child. Hmmph. Yep. Selfish.”

Ahhhh. So they think I am self-absorbed because I did not procreate as expected. I did not do my part in populating the world, in completing God’s will for me as a woman. I am hard, selfish, self-absorbed, self-involved. Perhaps it is better than I did not procreate since clearly I am missing the mother gene. Tragedy averted – perhaps I am not fit to have been a mother, since I clearly lack the generosity and the ability to put someone else first ahead of my ambitions.

In that glance after the voiced “Oh,” I sense a subtle aggressive relief. They are glad that they have put this together and can “place” me in their minds. Now I make sense. I am one of those career women. Hmmph. They can relax again, calmly feeling their own subtle superiority over me. Again, I am somehow deficient. Some genetic aberration made me not want kids enough or at all. Again, I am not a real woman. I am someone to perhaps forgive for her unwomanly ambitions, like a quirky aunt or an eccentric character.

Scenario three is the worst of them.

In those instances, they say, “Oh,” with a quiet tenseness, a slight narrowing of the eyes as they size me up. In their “Oh” is the sneaking suspicion that there is just something wrong with me, not biologically, but morally, ethically, mentally. That I am some sort of deviant.

The bubble reads simply in those times “Oh.” And I literally feel them slightly withdraw physically from me, as if what I have may be catching. I am categorized as a kind of leper, a social misfit. I am not to be fully trusted as I must be off in some way that is perhaps even dangerous because these people cannot fathom my “otherness” without finding it wrong on some level.

I have experienced all of the above multiple times on my own, and as part of a couple, in the world. Nothing is ever spoken aloud. But the messages are there, nonetheless. And they are affecting.

I find it interesting that it is rare that anyone goes beyond the initial question – pause  and “Oh” response to actually ask me or me and my husband “Why not?”

To me, that is proof of the social stigma placed on people who choose, for whatever reason, not have children.

In that lack of further questioning – that invisible social moat that is suddenly drawn separating them and me/us – there seems to be an unspoken agreement that this subject is something to be skirted. Further questions are to be avoided. Suddenly, my/our privacy is to be respected, as if I/we have a chronic condition.

It’s as if it’s just been discovered that I/we had recently lost a loved one and it would not be polite to ask how. It is something for people in my/our lives to query behind closed doors but never directly to me/us.

Worse than my own self-betrayal that can happen in the moments of these interactions, is the fact that I am guilty of this stigmatization against myself and others, sometimes even simultaneously as I am a victim of that same stigmatization.

In my own mind when I meet people who have not had children, I find myself making the same search for reasons to explain their status, the same judgements and conclusions to be able to categorize them in my mind.

I am guilty of judging my own relatives who fall into this category in the same ways that I have felt judged. How disturbing is that?! I find myself thinking of them what I hate feeling others think of me.

I hate this most of all.

But I know that this is a result of deep, almost cellular, societal encoding that I, like all of us, have been surrounded by and immersed in since birth. These aren’t conclusions that I have come to, they have been absorbed by me from others and nurtured via cultural messaging on every level. So through no fault of my own, I am pre-disposed to a bias, even against my own self.

And I have come to understand that those who respond to me the way they do have also been born into those same pre-dispositions.

When I wanted to select a graphic to include in this blog, I could not find one. All that I could find were either pictures of couples or singular women looking down as if sad and shamed being without children. Or oddly aggressive attempts at someone’s idea of humorous art: an image of a child in a red circle with a line drawn through it. Or that yellow yield sign for car windows that says “Baby on Board” re-drawn to read “Baby Not on Board (so you can destroy my car!)” A very sad-looking empty nest. “Child-free by choice!”

None of these images reflect my truth. I cannot find popular culture that reflects my story. I don’t fit any stereotype. There is no club to join.

And so I ruminate. I soul search. I practice forgiveness of my self and of others for our lack of expansive vision.

And often I am able to see the Truth that is beyond the narrow expectations of the social norms that so shape the world. I can see who I am and know that I make sense and that there is nothing lacking in me, no aberrant gene or deviant peculiar twist in my making.

The truth is that I love my life and have no regrets. I mother other peoples’ children as an aunt and as a friend. And I mother the world as best I can.

The question, the “Oh,” and its aftermath gets easier and easier as I get clearer and clearer.

I am whole and healthy and as normal as anyone, but I am not the norm. That is all.

#onnotbeingamother #wholeandhealthy

In response to Daily Prompt: Ruminate

 

 

 

 

The Dance

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When I was a little girl, I took dance lessons. From the age of 4 or so, I took, tap, jazz and ballet. I have vague memories of doing some kind of moving across the floor and the teacher saying “Jeté, jeté!” as we stepped from foot to foot.

I loved those lessons. There was a big dance recital, where my mom made costumes for me: I played a bumblebee and a munchkin.

When we moved to Dallas when I was 5, for some reason, the dance lessons stopped. It was a hectic year, and the business venture that my Dad had moved us there for failed, so after the year, we moved back to Houston, to a different part of town and a different set of circumstances. Finances were tight, so extras like lessons were put to the side.

But. I did not stop dancing. I would put my parents’ albums on the record player and dance my little heart out. This was way before MTV or dance videos. The only references I had were old Hollywood musicals, which I adored. So my dances were my own versions of what I had grown up watching: Fred Astaire, Ginger Rogers, Doris Day, Audrey Hepburn moving dramatically across streets and fields in passionate, emotive and song-filled scenes.

I had plenty to be working out. In my young life I had already suffered a great deal. But my trauma had been locked away tight in a safe room of my psyche, so I wasn’t consciously trying to tell any particular story through these dances. My body-mind just needed to move and my soul just needed to express through that movement.

Favorite songs were Wings’ “Live and Let Die” and most of the album “Whipped Cream” by Herb Alpert and the Tijuana Brass Band. But I would dance to just about anything.

The dancing stopped somewhere around age 11. By that time, I had discovered food and TV and they became a kind of narcotic, a way to numb out the confusing feelings and thoughts that made life difficult. They became my number one coping mechanism, and saw me through until the teen years when other substances became available and appealing to me.

Did I dance again? Sure. At dance clubs in the 80’s and 90’s, where alcohol and often drugs were a part of the mix. At weddings, always somewhat self-consciously. There were a few attempts to go back to dance lessons so that as an actor I could be more marketable for musical theatre. I’ve danced in musicals and loved every moment. But the kind of dancing that I did in that living room back when? Nope.

Through my 20’s and 30’s, I had pics of me from that recital in my costumes, beaming. I think I even still have a bumblebee wing. Over the years, I have often used those pictures as self-reference, proof that there had been a time when I had been confident, happy in my body and free-feeling. I looked to those pictures to try to find hope that perhaps one day, I could find those ways of being again. Through much healing over the years, I have made a lot of progress. I go deep in my work as an actor and singer, and work from a place of a great deal of freedom often. But it has always still seemed to me that the girl I had been – with her total lack of self-consciousness, innocence and creative freedom – was to be forever out of my reach no matter how hard I worked for it.

dance2

Then. Last week, a young director reached out to me and asked me to do his film. He’d had me in mind for the Woman in the script, he said, and he really, really wanted me to play her.

In the script, during the character’s most private inner moment, she transports herself through fantasy from her home bathroom to a gorgeous copper bathtub in a tiled tunnel in Central Park by the Bethesda Fountain. She is wearing a beautiful dress and a sax player is playing music in the background as she has this very free, very private, very joyful moment.

From the moment I read the scene, I imagined the woman dancing around the fountain.

I asked the director had he imagined the Woman staying in the tub in her private moment. He said yes, but that it was my private moment, and he wanted me to have complete freedom. (What a wonderful gift he gave me, that freedom. So grateful for his desire to collaborate.) So I had imagined my moments in the tub and was excited and curious for how the shoot would go.

I had not seen the location, so did not know that the tiled tunnel was a beautifully lit space that had arches in the background and copper hues, and that the tub would be placed in it, not near the fountain.

So that morning, as we arrived on location, when I saw the actual scene – the brick tunnel and the beautiful space that was surrounding the copper tub – and then heard the song the saxaphone player was to play, I knew that I had to dance out of the tub and around that beautiful tunnel.

And so on the first take, as the camera began to film, I began my private moment, made my way out of the tub, and I began to dance.

It was one of the most magical experiences I have ever lived. In the moments of my improvised dance, with the sax player playing for me and with me, the sun beginning to come up behind the fountain in the distance, hearing only the music and the echo of my own laughter, I felt myself dancing simultaneously as the woman I am right now and the little girl I was then. The tunnel and that living room became one across space and time. The joy that bubbled up through my body was total and whole, and it was such an honor to be in those moments bringing the Woman of the film and the director/writer’s vision to life.

Afterwards, we did more takes, and they were each wonderful but different in their own ways. There was no way to repeat that first take, and that was perfect too.

But I walked away from that shoot forever changed.

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There are moments in life where you feel that you are in the exact right place at the exact right time doing exactly what you were meant to do. In those moments, you can see that every other moment of your life has been a part of the making of this one magical moment. Every thing you’ve lived, every person you’ve met — the good, the bad, the ugly — it all makes total sense in those moments.

Those moments are astonishing. They are when I know I am a wondrous creation, a part of the whole that is this incredible Universe. I know in those moments that my life has been intricately designed, just as a rose has, or a peacock, or snowflakes. That nothing in my life – from the worst trauma to the most brutal pain – has been for naught. That it has all led to this moment in time, to this me that I have become.

That dance is forever in my heart now. It lives inside me, and it is the beginning of a whole new level of personal and creative freedom. I do not know what will grow from it, but I know that I have re-awakened something important inside, and I am so very grateful for that role finding its way to me, for giving me back the Dance.

#actorslife #danceforever #theheartremembers #itsnevertoolate #TheDanceoftheHeart

 

Translated Psyche

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via Daily Prompt: Translate

When I was a kid, something very traumatic happened to me. The details are not important. Suffice it to say that it was something soul-shattering.

As in, as it was happening, parts of my soul literally broke off and went somewhere else because the pain was too great. Being so young, 5 years old, I simply had no way to cope with what was happening to me.

So my psyche did what it had to do in order to survive. It translated parts of itself. It sent the most vulnerable parts of itself to safer places and left the parts of me that could withstand the trauma better behind to live through and manage.

That’s pretty amazing I think.

Now, at the time, of course, and for decades afterwards, I had no idea that this had happened, that parts of my soul had translated to other climes.

I went about my life, growing up, maturing as best I could as a person with crucial parts of themselves off somewhere else. I cobbled together a way of coping, and moved through childhood into adolescence and into adulthood.

I managed to make a life. A life held together by skewed logic and broken-hearted, suppressed pain, but a life nonetheless.

My pieced-together life was less than ideal. On the outside, it may have looked pretty good. I had a loving family, friends, education, opportunities galore, and the resources to live well and pursue my dreams. I do not want to minimize my gratitude for these.

However, my soul was missing core parts, so my experience of life through all those years was lacking in ways that are hard to explain. I was always feeling slightly off. I had generalized anxiety all the time that I could not define or understand. A seemingly bottomless well of sorrow and a constant sense of an inner hysterical feeling just below the surface accompanied me through even the happiest of experiences.

Suffice it to say that when your soul parts have translated elsewhere, and you don’t even know it, there is an internal confusion that can be terrifying, complex and, at times, overwhelming. It can feel like you are suffocating or in danger of disappearing into nothingness, into the void.

Until I understood this, I did my best to drown out this overwhelm. This led to some pretty messy behavior and a great deal of “lost” time.

Thankfully, I was lucky.

One day, in a voice lesson with a very wonderful man, I happened to mention to my teacher that I thought a part of my soul had been destroyed by what had happened to me. He told me that the human soul could never be destroyed, was beyond human touch.

Something in his words struck me to my core. I literally felt as if I had been gently punched in the gut. And though my mind was cynical, my body resonated the truth of his words.

My journey was forever altered for the better that day. I eventually found assistance and came to understand what had happened to me. With that assistance, I have been able to heal the wounds from the trauma. And grieve. Not only for the original trauma, but for the lost time and the years of moving through life as a kind of ghost of my former self. That kind of loss is real, too. And worthy of grief.

I have learned how to create, over time, a strong and loving core from which to invite those missing parts back. And in time, they have come. Not all at once, but bit by bit.

It is an astonishing thing to actually feel a part of your soul fly back into your psyche.

For me, there is a rush of sensation within my heart and solar plexus accompanied by a kind of flutter of excitement in my belly, followed by a warmth that spreads throughout my body along with a rush of intense emotion, a blend of ecstatic bliss at being reunited and tremendous grief for having missed it for so long. I imagine it is like being reunited with a long lost parent or child.

I cannot adequately express the sensation. Maybe it is what being touched by an angel feels like.

I am left with a sense of wholeness. In time, the new part integrates with the rest of me. I feel more and more like who I really am meant to be. These parts that have returned contain elements of my spirit, my soul, that I haven’t lived with in forever: bubbling joy, innocent playfulness, open curiosity and more. The difficult parts have come back too: rage, terror. But I’m equipped to handle them, unlike the child I was. I can honor those parts too and find compassion and healthy ways to address them.

It is like I was living with 3 crayons and now have 98 to use. I was a walking sieve and now I feel like a whole, flowing, glowing mass of life. I was a lone prisoner in my own skin, and now I feel connected to all of Life. I was blind but now I see. It may sound mystical or hokey, but it is my truth. I do not believe that I am alone in having experienced this, either.

I have come to view the human psyche as an intricate and miraculously brilliant thing. It has the power to survive the unimaginable and come through the other end with even more depth and richness than before. The soul cannot be destroyed or even truly touched by human hands. But it can translate. And return again. And for that, I am truly grateful.

#thebrillianceofthehumanpsyche

Daily Post: Translate

Holiday Panoply

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This week’s blog is a few days early. I wrote this in response to a word prompt via Daily Prompt: Panoply.

My mother was one for panoplies. Not as in the historical definition of “panoply:” a complete set of arms or suit of armor. But as in “a group or collection that is impressive because it is so big or because it includes so many different kinds of people or things.”

She was quite mad for decorating for holidays. From my earliest recollections, she put time and effort into decorating our house for each holiday.

It began with a small Manzanita branch which she spray-painted white. From its branches she would hang little ornaments and such. Perhaps she had seen something like it in one of those women’s magazines of the 1960’s with articles of how to be a good mother, wife and hostess. Those same magazines provided the recipes for many of the staples that she came to cook for us, too. Lots of recipes utilizing canned goods, as I recall. Things like Spam casserole and meat dishes with sauces made from Campbell’s Cream of Mushroom soup.

My mother had grown up in a rather eccentric household. Somehow, she and her twin sister never learned how to cook. My Grandma, their mother, did not cook. Their father, an active alcoholic, did the cooking, sometimes. I am not, to this day, sure how they all managed to feed themselves. But once my mother was married, she underwent a self-education of things such as housekeeping and cooking. With knowledge gleaned from the resources at her disposal then – women’s magazines, popular cookbooks and recipes from newly forming friendships – my young mother forged her way through the early years of starting a family.

At first, the Manzanita branch was decorated for the major holidays: Valentines Day, July Fourth, Thanksgiving and Christmas. But soon this expanded beyond just the basics to the other less widely decorated holidays as well: President’s Day, Easter, Halloween, Graduation Days, even Veteran’s Day.

We all teased her about it. My friends through the years would always comment upon seeing the tree and its adornments become more and more elaborate. But even in the midst of our jaded perspective on it all, there was also a sense of amazement, too.

The Manzanita branch holiday tree became a central figure of whatever house we lived in. From the first little house in the Sharpstown neighborhood of Houston, TX, to the house in Dallas, TX where we lived for a year until my Dad’s business venture failed and we moved back to Houston. To the Briargrove neighborhood house where my Dad started a new company and went back to night school. To another house a few blocks away in Briargrove as his business grew and thrived. And finally to the really nice house my parents bought after I was off to college in the higher-end neighborhood of Memorial.

How it made all of those moves intact is a mystery to me. Those branches are fairly delicate things. But somehow, it survived, and was always a symbol of something constant amidst the changing environments of our family’s life.

Once in that really  beautiful and much larger home, the home that was to be my parent’s last house, my mother’s decorating could really take flight. The Manzanita tree took a much less central role, bowing down alongside the growing collections of decorations. It would still be decorated, but it sat on the kitchen island, a more ordinary display in comparison to the dining and living rooms, which were transformed into holiday wonderlands that could have competed with any department store displays.

I came home for holidays and though I am sure on some level I appreciated it, I never stopped to think about the effort she put into it. (And I never once thanked her for doing it, which I feel regret over to this day.)

I didn’t reflect on any of this until after she and my father died, when my husband and brother and sister-in-love were going through that big, beautiful house, processing our parents’ lives and deaths by going through all of the things they had amassed in their lives together.

The hours she must have spent collecting each item. Putting them all out. Then taking them down and packing them all away again.

The love she must have had for us and for the doing of it. It takes true love to accumulate a Santa collection that literally has its own room. Closets for each season…with shelves and drawers filled with bunnies, Lincolns and Washingtons, hearts, witches, black cats, pumpkins, ceramic figures of patriotic people, stars of congratulations, new baby banners…

It was so hard to let go of those collections. I did not have the room in our small New York City apartment to store or even use all of those beloved objects. But I could feel her in them, as we sorted through and discovered her hiding places for even more of her collections.  I imagine my father must have tried now and then to get her to promise to stop buying things. It was clear that she hadn’t. The joy she must have had in finding each one. The love she must have felt for us as she imagined creating each holiday wonderland for our enjoyment.

I chose to take one object from each of the major holidays. I cherish them today. We found the Manzanita, and thankfully, my sister-in-love (who is much like my wonderful mother in her ways and in her heart) expressed a desire to keep it. She and my brother have a larger home in Houston. I know that my mom would be so happy for them to be using it.

My sister-in-love also chose to keep many of my mom’s holiday panoplies. I now get to enjoy them on our holidays together visiting their home in Houston. I walk amidst the Santas, beautifully displayed and lovingly put up now by my amazing sister-in-love. I take time with each one, appreciating them, remembering my Mom, and her love.

The Manzanita branch is there, now stripped down to its natural color. It is still a symbol of something constant amidst the ever-changing world and our family in it.

#holidaydecorations #manzanitabranch

 Panoply

 

 

 

 

Catfish

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Today’s word prompt was “fish.” I thought I’d bite. Via Daily Post: Fish

The summer I was seven years old is the last happy one I remember of my childhood.

My family spent two weeks out at my father’s business partner’s “farm,” which was really just a house on some land about an hour’s drive from Houston, Texas where we lived. I insisted on wearing a burnt orange bikini that was a bit too small for me. I was still young enough to be un-self-conscious, and I just loved that suit. I didn’t see my belly protruding out as any problem. The rolls of baby fat still at my waist didn’t concern me at all. Nor did I care that my butt crack peeked out in the back.

I wore it loud and proud, much to my parents’ chagrin. My mother hated it because it was “too revealing” (translation: my body made her uncomfortable.) My father, because it was “too revealing” (translation: he wanted me to stay a little girl forever.)

Me and my two older brothers spent many hours swimming in the swimming hole, a small  manmade body of water that had an anemic dock and several leafy trees ringing it that offered shade and respite from the unremitting Texas sun. There was a raft or two, and we’d all end up out by the hole, floating or swimming about.

My mom, who never swam and stayed inside to read her beloved crime novels, insisted I wear a t-shirt, to save my pale white skin from the dangers of skin cancer. I begrudgingly wore one, hating the extra layer between my skin and the water and the hot-but-still-moving-air slow breezes that the Texas heat sometimes mustered up.

Our dog Ginger would leap off the dock onto the raft with us, then slide off into the water. She’d paddle to the side of the hole and hunt for a pile of cow dung and then roll ecstatically in it.

I, too, was ecstatic, despite the darned t-shirt. My brothers were both entering their teen years, so the times we were together had siphoned down to a trickle. Here at the “farm,” they seemed to shed the new attitudes they’d picked up from junior high school. I had my Bubbies back to myself, and they had me giddy with laughter.

The only damper on the occasion was that we shared the swimming hole with the dreaded catfish.

Catfish, put there for ambiance, I suppose. Catfish get their name from prominent barbels which appear to be like cat’s whiskers on either side of the fish’s head. I had gotten it into my mind that those whiskers would sting me. Not just sting, but actually slice any skin that they touched.

You might think that such a fear would have kept me out of the water. But my brothers went in, so I was going in. I was not going to be a baby about it. Not me. Plus, it was hot as Hades. The choice between staying hot and sticky and getting some relief was no choice at all.

So in I would go. But boy, was it scary. Any slight movement in the water around me, and I was shrieking and lurching to cling to one or the other of my brothers. They’d toss me back in the water, away from the safety of their older brother-ness, and surges of adrenaline would shoot through me as I scrambled to get back to their vicinities.

Those two weeks would eventually come to an end, as would the summer. My brothers would adorn their new attitudes again. We’d never play together like that again.

But I can still remember the feeling of being in that water, and the odd mix of love and fear and safety. I loved every minute of it. I loved my brothers. I loved my burnt orange bikini. But I hated those catfish.

Girl with a Pearl Necklace

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My niece just graduated from high school and turned 18 on the very same day.

She is very special to me, as is her brother, who is a few years younger. They are my remaining older brother’s children, and our little family of my husband and I and my brother and his family have become more and more important to me with each passing year.

More so I think since the deaths of my mother, father and other brother several years ago. Losses sharpen and intensify the remaining connections. It is one of the sweet gifts such losses contain.

I decided to continue a family tradition and take my niece on a trip in honor of her graduation. My Grandma FitzGerald (who I was named after) began the tradition when my oldest brother (the one who remains) and our cousin (my mom’s twin sister’s eldest daughter who was my eldest brother’s age) graduated from high school. She took them on a two week trip to Europe. She did the same when my middle brother and our only other cousin (my mom’s twin sister’s other child who was John’s age) graduated from high school.

When my high school graduation came, Grandma and I went alone as there was no cousin there to join me. (That trip is a whole other blog post. Being a namesake can be complicated. I was also a bit wild. Gran was a bit of a force to be reckoned with. We were an interesting combo on a trip to Ireland, England and Scotland at the height of “the Struggles” in Ireland and when, politically, Europe was not too keen on Americans. Gran eschewed social norms and loved to talk politics and religion upon meeting strangers. At seventeen, I found this incredibly embarrassing, and a lot of eye-rolling and running off with the only other young person on the tour to sneak beers in pubs to meet boys ensued.)

Back to my niece and our trip.

I had come up with the idea to carry on this tradition: I knew that if my mom were alive, she would have done for my niece what her own mother had done for her children. So now I will do this for her, for all of us who remain. I cannot wait for our trip this summer, to have that time together and to perhaps tell stories about my memories of my mother and her mother and her mother’s mother.

But I wanted my niece to have something to open on her birthday, and after racking my brain and scouring the internet for all the usual grad gift ideas, I still felt at a loss. Then an idea occurred to me. I have a beautiful, sweet pearl necklace that my mother gave me when I graduated from high school. What if I passed it on to my niece?

When she gave it to me, my Mom had told me that her grandmother had given it to her when she graduated from high school. I think I remember feeling special when she gave it to me. I know I loved wearing it.

I had the great luck to have actually known my Great Grandma Burns. She had been a world traveller, and incredibly sophisticated. She had beautiful taste, and a style that was quite European-seeming that she had passed along to my Grandma. Originally from Kansas City, the daughter of a fairly well-to-do flour miller, Great Grandma Burns had been all over the world and had an elegance that she had imparted to Gran Fitz that was way bigger than Texas, where our family had eventually relocated as a result of my Grandma’s marriage to a traveling salesman.

Great Grandma Burns had bright, sparkly eyes and though she was intimidating, she was warm and funny, and I loved her. My mom, my Grandma FitzGerald and Grandma Burns and I would go to have luncheons in department store tea rooms together, four generations of women. She and my Gran Fitz would dress to the nines, as did women in those days, replete with a hat, pumps, a skirt suit and matching bag and gloves. I, being the youngest, would run to open doors for them. “Age before beauty,” they would say, if I ever made a face at this task.

I remember liking the necklace, but at 18 I doubt I really thought all that much about it then, being much more concerned with parties and boys and my friends.

As I grew older, the meaning of the necklace deepened and changed. We lived through both my Great Grandma Burns and my Gran FitzGerald’s decent into dementia, and eventual death. Life began to shape and change me, as She does to us all.

Later, when my own mother moved through her two cancers, and after her death, that pearl necklace remained, a symbol of her love of me, and of the love of the women who came before me. Whose hearts and dreams brought me into creation. I am the living embodiment of their imaginations and wishes and hopes and desires.

It has brought me such joy throughout my life. I truly treasure it. As I treasure my niece.

I was so excited when the idea of giving it to her came to me. It felt like divine inspiration.

So it surprises me that now that I am actually giving to her, I feel sadness around it for some reason. A strange mix of emotions have taken me completely by surprise. Sadness, fear, anxiety…I do not want to give it from this space. So I have to unravel what is going on.

Is this sadness because I do not have a daughter to give it to? Hmmm, I don’t think that’s it. I’m ok with that, at least for today. (More on being child-free another time. That too is at least a whole other blog post.)

Is it that I am letting it go? Ahhhh, yes, that’s it…I am sad to let it go…as if it somehow holds the actual love my mother had for me and by giving it away I will lose touch with it or something. That is the odd fear-panic I am feeling. Attachment is deep y’all. Damn.

And what if she doesn’t treasure it as I have? What if she hocks it for beer money someday (ok, this is probably projection and totally revelatory of my own wild youth — I did do that once but it was a bracelet an ex-boyfriend had given me, not a family heirloom, and she is very level-headed and not at all like me at her age, so that’s definitely a reach.) If I give it, I have to really let it go, and that means giving it without expectation or any strings attached to the receiver. She is free to feel about it and do what she wishes with it. I have to be willing to actually let it go to her.

I have loved that necklace so much. Cherished it. But I don’t actually wear it much. Isn’t it better is it is given to possibly be worn by someone my mother and I both adore?

I wonder if my mom felt pangs of sadness when she gave it to me? Don’t get me wrong, the overriding feeling I have is one of joy and love in thinking of giving it to my niece. I am just examining the other complicated things that it has brought up.

There’s something in here too, I think, about the passage of time…maybe the necklace, without me realizing it, has been a symbol of my own youth? A rite of passage, anointing the next young woman of my family…and giving it to her hits home that I am no longer that girl at the cusp of the start of her adult life. I am deep in the middle of mine, heading towards the transition to the later years. Yep, that definitely rings some bells.

Realizing these layers inside, I can be more clear and clean around this. And so I give it to her without expectation, but with some hope. I hope she appreciates it and loves it as I have, but that is all literally out of my hands.

As for it being a symbol of my mom’s love, I have beautiful memories that do not require a physical object to live.

No matter where the necklace ends up, may it resonate love and dreams and family and new life. May it bring whomever wears it in its remaining lifetime great joy in the wearing.

 

 

On Marriage as a Collaborative Art

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Sometimes I really want to be single again.

Don’t get me wrong. I love the man I married.

The Universe brought a man into my life who is almost perfectly designed for me in so many ways. He makes me think: really think. I love talking to him. He challenges me intellectually and emotionally. We both share certain childhood wounds that allow us to have a kind of understanding of the other that is quite exquisite and profound. We “get” each other in a way not many could or would. There is a shared language of our hearts. And there is that physical chemistry as well, that makes for deep passion and sweetness.

But I never planned to marry. To be frank, I always thought I was too f’ed up and so had written it off in my early adulthood.

Then I met the man who was to become my husband. For the first time, I had thoughts that maybe marriage was for me, after all. But I wasn’t sure, and I wasn’t in any hurry.

And then, circumstances in my life created some shifts in priority (aka: My own personal Armageddon. My mother and brother died and my whole world exploded.)

And when the smoke cleared, and I was finding my way again through the rubble that was the New World of my life, I found that something in me had shifted.

So when the man-who-would-be-husband made the proposal, I said yes, unequivocally.

But let’s just say that my expectations of what marriage would be were practically non-existent.

I was more than pleasantly surprised. I took to marriage quite well. It astounded me (and still does at times.) It is a mysterious and wondrous thing: creating a home together, a partnership. The closeness. The sharing. The laughter. The tenderness. The challenges. The compromises. The deepening sweetness.

I am also deeply grateful that I have a partner for this part of my life. I have many friends who long for a boyfriend, a husband, a wife. I promise you that I rarely take for granted the incredible gift of this person, this marriage we co-create.

Being an actress, I tend to relate all things back to acting. So for me, marriage is a bit like being in a production of a play you love and care deeply about. You gladly revolve everything around it. You embrace that you are in a collaborative art.

Sacrifices are made willingly for the greater good of the whole. You are willing to live through the hard parts of the process because you know it is all a part of the creation you are making together. You trust in the process. You are diving into the unknown. You expect to feel lost at times because it is in the getting lost that you find something new, together.

You bring your best, he brings his best, and, together, you create something greater than the two of you.

But unlike a production that has a time of completion, a day when you all agree to move on to the next project, marriage is a continuing production. It is an open-ended run.

Those peaks and valleys that are a natural part of it…the moments of feeling lost in the unknown…well, to be honest, there are days when I want to say, “Screw it” and just literally up and leave it all.

Part of the problem is that the Universe was really having a field day when our stars were designed to cross paths. One of the most important qualities that I need and want to have in my life, freedom, just happens to directly rub up against one of the most important qualities that he wants and needs to have in his life. Makes for some critical moments of decision for one or the other of us. And some heated conflicts (aka awful fights.)

I grew up in a household where the father was autocrat. Our world revolved around his needs, opinions and moods. He was a big ‘n tall Texas man with a booming voice. He was intelligent in many ways, but as was true of many of his generation, less so in terms of emotional intelligence.

There was a show on TV in the 70’s, “Wait Till Your Father Gets Home,” a cartoon. The opening theme was a song by the same name, and the visual was of a family anxiously awaiting the father’s return home.

That kind of sums up my experience of our house. But on the TV show, Father was a softie.

Not so in my house. I was always waiting to see whether or not my Dad was mad. He had a mean temper, and a cruel tongue. And he used his physical presence to instill fear in those weaker than he. I guess that means he was pretty much a bully.

Which has always made me wonder what in the hell had happened to him to make him capable of that kind of behavior towards his family: the people he most loved in his life. I will never know. All those who could fill in those blanks are gone now.

I don’t believe it was his essence to be that mean. He learned it somewhere. As is true of many perfectionistic personalities, he was hardest on himself. I’m not making excuses for him. He could be a bastard, and it was not a healthy atmosphere to grow up in, being afraid all the time, walking on eggshells. But I know there is more to the story than just my experience of him.

Having grown up in such an oppressive atmosphere, it is a very high priority for me that for the rest of my life on this planet I not live like that: that I not live on pins and needles, carefully holding my breath around my loved ones, afraid to make a mistake for fear of being shamed and made to feel like I am less than nothing.

Which leads me to value freedom of every kind. Freedom of expression. Freedom to do what I want to when I want to. And that is wonderful, and I honor that about myself. I do.

But. I am in a partnership. And that requires restraint and compromise and taking in another person’s needs and wants and values alongside my own. Sometimes, yes, putting theirs ahead of mine. (No, not in the old-fashioned template of the wife putting her husband’s needs first. But in the way that mature love requires.)

It means being a grown-up. Making The Couple an entity that has a value that is greater than the individual parts that comprise it. Being a kind of parent to The Couple.

Some days, this is easy, cause, well, it’s beautiful. (Remember this song? Well before Mariah’s high notes, there was Minnie…)

http://www.youtube.com/watch?v=94nDCm4NqIA

Other days, if I am especially tired or spiritually drained, or triggered, to consider compromise can feel like I am on the brink of losing everything that really matters to me. Those old wounds have a deep pull. They cry for me to fight for My Life. Run for the hills. Defend my Precious Freedom. (On no, he didn’t!)

I take a deep breath. Give myself a Time Out. (No, I don’t stand myself in the corner. But I do leave the room, sometimes even the apartment, to go get some air, some space, some present-day perspective.) Remove myself from the situation before I go all Beyoncé on his ass and say things I will later regret. (I am from H-town, after all.)

I go off and soothe that part of my heart: that little girl’s longings for a relaxed home and freedom of spirit and unconditional love. I am the only one who can give that to her now.

I parent my self first, attend to the wound. Then I can bring the Whole Mess that I Am back to the production that is Our Marriage. I am ready and able again to consider his needs, the marriage, Our Couple.

Being a flawed human, I am not always successful at this. When I am unsuccessful (aka I act out,) I take responsibility when need be and work to change my behavior, aka Make Amends. That is parenting too. And when he is ready to forgive me, then there we are.

Ready to make art again. Together.

#marriageasacollaborativeart

 

All About Joan, Pt 2

Bird plane
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As Mother’s Day approaches, I cannot help but think back to this time 9 years ago. I was in Illinois, doing a musical, finally living my dream.

I was also living a nightmare.

My mother was dying.

I was flying back each week on my off days to Texas to spend precious hours with her. This was not an uncomplicated process. The city I was in was fairly small. Though it had what they called an “International” airport (Hah!), I had to fly to Atlanta to get a connecting flight that would take me to Houston.

I’d fly out on the earliest possible flight on Monday morning, get to Houston around 12:30 PM or so, grab my carry-on, race off the plane and out of the terminal, catch the shuttle to get to the rental car place, get a rental car and drive the 40 minutes across town to my parents’ house. I could usually be in front of my Mom by 3 PM. I’d leave the earliest flight possible the next morning and do the same in reverse to get back just in time to go to the theatre for our first show of the week on Tuesday night. It was a lot of travel, but God, was it worth it.

Though my spirit and body was being fueled by every possible ounce of hope my heart could drum up, I still knew on some level that I had a limited amount of time left with my Mom. After all, she had lung cancer (this after having survived colon cancer) and had been through two rounds of radiation and two rounds of chemo only to be told that there was nothing else to be done. (Such is the way with that bastard, cancer.)

So any delay or problem with either flight heading to Houston was an agonizing torment.

It.Was.My.Worst.Fear.

There were more than a few times there were issues on those crucial flights to Houston. I recall most particularly one flight where the Atlanta-Houston flight was delayed. Then, after finally boarding, we were told that there was some issue with the plane – we had to get off again and await another. Oh, the rage and the desperation I felt!

I marched off that plane, demanding answers from Customer Service, operating in my Survival Mode – a steely cold exterior that surrounds a high-level swirling hysterical interior:

I had to get to Houston ASAP. What was the issue? How could they do this? What were they going to do to solve the problem any faster? What was their f’ing problem?

I don’t remember the reason they gave. They were not especially receptive, and in retrospect I understand why. My Survival Mode comes off as bitchy hysteria. I get it now. But then, it felt as if the whole world was just simply cruel.

After walking away in a mix of shocked shame and guilt at having gone into bitch mode publicly (shame and guilt at such out loud behavior being the response genetically engineered by my “good girl” Southern and Protestant-ly tinged upbringing), I burst into silent, hot-red fury tears.

I did eventually get to Houston that day. But I still want back those two or so hours that Air Trans cheated my Mom and me out of.

If there were issues on either flight heading back to Illinois, that was a different kind of hell. When you are a recovering perfectionist such as I, and a Betty-By-The-Book type of personality, it is simply not an option to not do a show.

Just.Not.An.Option.

Once, leaving Houston, I got to the airport to find that the weather in Atlanta was totally screwed up. No flights in or out there. I ended up buying a ticket on Delta leaving out of another Houston airport. I cried in silent outrage in a taxi to the other airport, flew to Chicago, rented a car and drove at unlawful speeds the hour and half drive back to the city to get to the theatre by call. I made it, too.

Hell hath no fury like a daughter grieved.

 

Part 3 to come.