Danger Will Robinson!

If you are old enough to get the reference of the title of this blog, you may share my opinion on the word “someday” because you’ve lived enough days to have noticed a few things.

If not, here’s some context. Will Robinson was a character on the series “Lost in Space” that ran in the 1960’s. It was long in reruns by the time I watched it: my high school friends and I would watch it on Saturdays, hungover, laughing at the campy melodrama. It had a robot in it, and in one particular episode, the robot warned Will of impending danger. (I also remember one episode where I think the robot actually said “take a chill pill” too, but we might have been playing a drinking game then so who knows if that really happened.) But I digress.

I believe that there are some words and concepts that are dangerous. “Someday” is one of those words.

An adverb, it is defined as: at some time in the future. As in: I know someday my whole family will be together and happy.

It is a word to hang your hopes on.  Hopes for dreams coming true: “I’ll be a star someday.” Hopes of people’s poor behavior righting itself: “Someday, they will treat me better.” Hopes of exacting revenge: “Someday, they will be sorry.” (These are completely random examples, of course. Totally random samples.)

Seems pretty innocuous, right? What’s wrong with a little hope?

The problem happens when you start living so much for “someday” that you stop living this day.

I know firsthand that it’s possible to live from a deeply buried “someday” mentality and not even realize it. To live floating so much on that hope of the ever-elusive day in the future that life becomes the way you so desperately want it to, that life becomes a stream of yesterdays that weren’t really todays at all because the siren call of “someday” muted the music of the moment. I couldn’t even see what was because I was so fixated on and attached to visions of what I wanted life to be. I landed shipwrecked on the boulders of la-la-land, which before last year used to be a term that described “a fanciful state or dreamworld.” To put it another way, I awakened to the ugly and hard truth that I was way off course.

Once I realized that I was living from this hidden “someday” philosophy, after the shock wore off, and the anger, I had to forgive myself. After all, I was conditioned to live the world of “someday.” I grew up on fairy tales filled with songs like “A Dream is A Wish Your Heart Makes.”

And “Someday my Prince Will Come.”

I literally took these songs to heart, and they shaped my view of the world.

I am not blaming Disney! (But there is something to be said about the powerful affect of replaying songs hundreds of times. Don’t they use that technique to break prisoners? Isn’t that a kind of brainwashing?) I love those songs.

But they promise. And “promise,” like “hope” and “potential, ” are words and concepts that can be used for the better or for the worse. They are potent. They are to be measured for use.

These days, I watch myself. I steer myself away from using words like “someday.” I practice gratitude for today, this present day. For what is, not what I wish will be. Yes, I have wishes and dreams. But I also have goals and action plans. I am not adverse to a little hope in my heart. I love me a Disney movie and sing those songs right along with the best of them.

But I live in today. My yesterdays are well-lived and appreciated. My tomorrows are what my todays become. They are the result of today, not the point of them.

My “someday” is now.

#livefortoday #carpediem

via Daily Prompt: Someday

The Dance

When I was a little girl, I took dance lessons. From the age of 4 or so, I took, tap, jazz and ballet. I have vague memories of doing some kind of moving across the floor and the teacher saying “Jeté, jeté!” as we stepped from foot to foot.

I loved those lessons. There was a big dance recital, where my mom made costumes for me: I played a bumblebee and a munchkin.

When we moved to Dallas when I was 5, for some reason, the dance lessons stopped. It was a hectic year, and the business venture that my Dad had moved us there for failed, so after the year, we moved back to Houston, to a different part of town and a different set of circumstances. Finances were tight, so extras like lessons were put to the side.

But. I did not stop dancing. I would put my parents’ albums on the record player and dance my little heart out. This was way before MTV or dance videos. The only references I had were old Hollywood musicals, which I adored. So my dances were my own versions of what I had grown up watching: Fred Astaire, Ginger Rogers, Doris Day, Audrey Hepburn moving dramatically across streets and fields in passionate, emotive and song-filled scenes.

I had plenty to be working out. In my young life I had already suffered a great deal. But my trauma had been locked away tight in a safe room of my psyche, so I wasn’t consciously trying to tell any particular story through these dances. My body-mind just needed to move and my soul just needed to express through that movement.

Favorite songs were Wings’ “Live and Let Die” and most of the album “Whipped Cream” by Herb Alpert and the Tijuana Brass Band. But I would dance to just about anything.

The dancing stopped somewhere around age 11. By that time, I had discovered food and TV and they became a kind of narcotic, a way to numb out the confusing feelings and thoughts that made life difficult. They became my number one coping mechanism, and saw me through until the teen years when other substances became available and appealing to me.

Did I dance again? Sure. At dance clubs in the 80’s and 90’s, where alcohol and often drugs were a part of the mix. At weddings, always somewhat self-consciously. There were a few attempts to go back to dance lessons so that as an actor I could be more marketable for musical theatre. I’ve danced in musicals and loved every moment. But the kind of dancing that I did in that living room back when? Nope.

Through my 20’s and 30’s, I had pics of me from that recital in my costumes, beaming. I think I even still have a bumblebee wing. Over the years, I have often used those pictures as self-reference, proof that there had been a time when I had been confident, happy in my body and free-feeling. I looked to those pictures to try to find hope that perhaps one day, I could find those ways of being again. Through much healing over the years, I have made a lot of progress. I go deep in my work as an actor and singer, and work from a place of a great deal of freedom often. But it has always still seemed to me that the girl I had been – with her total lack of self-consciousness, innocence and creative freedom – was to be forever out of my reach no matter how hard I worked for it.

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Then. Last week, a young director reached out to me and asked me to do his film. He’d had me in mind for the Woman in the script, he said, and he really, really wanted me to play her.

In the script, during the character’s most private inner moment, she transports herself through fantasy from her home bathroom to a gorgeous copper bathtub in a tiled tunnel in Central Park by the Bethesda Fountain. She is wearing a beautiful dress and a sax player is playing music in the background as she has this very free, very private, very joyful moment.

From the moment I read the scene, I imagined the woman dancing around the fountain.

I asked the director had he imagined the Woman staying in the tub in her private moment. He said yes, but that it was my private moment, and he wanted me to have complete freedom. (What a wonderful gift he gave me, that freedom. So grateful for his desire to collaborate.) So I had imagined my moments in the tub and was excited and curious for how the shoot would go.

I had not seen the location, so did not know that the tiled tunnel was a beautifully lit space that had arches in the background and copper hues, and that the tub would be placed in it, not near the fountain.

So that morning, as we arrived on location, when I saw the actual scene – the brick tunnel and the beautiful space that was surrounding the copper tub – and then heard the song the saxaphone player was to play, I knew that I had to dance out of the tub and around that beautiful tunnel.

And so on the first take, as the camera began to film, I began my private moment, made my way out of the tub, and I began to dance.

It was one of the most magical experiences I have ever lived. In the moments of my improvised dance, with the sax player playing for me and with me, the sun beginning to come up behind the fountain in the distance, hearing only the music and the echo of my own laughter, I felt myself dancing simultaneously as the woman I am right now and the little girl I was then. The tunnel and that living room became one across space and time. The joy that bubbled up through my body was total and whole, and it was such an honor to be in those moments bringing the Woman of the film and the director/writer’s vision to life.

Afterwards, we did more takes, and they were each wonderful but different in their own ways. There was no way to repeat that first take, and that was perfect too.

But I walked away from that shoot forever changed.

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There are moments in life where you feel that you are in the exact right place at the exact right time doing exactly what you were meant to do. In those moments, you can see that every other moment of your life has been a part of the making of this one magical moment. Every thing you’ve lived, every person you’ve met — the good, the bad, the ugly — it all makes total sense in those moments.

Those moments are astonishing. They are when I know I am a wondrous creation, a part of the whole that is this incredible Universe. I know in those moments that my life has been intricately designed, just as a rose has, or a peacock, or snowflakes. That nothing in my life – from the worst trauma to the most brutal pain – has been for naught. That it has all led to this moment in time, to this me that I have become.

That dance is forever in my heart now. It lives inside me, and it is the beginning of a whole new level of personal and creative freedom. I do not know what will grow from it, but I know that I have re-awakened something important inside, and I am so very grateful for that role finding its way to me, for giving me back the Dance.

#actorslife #danceforever #theheartremembers #itsnevertoolate #TheDanceoftheHeart

 

Translated Psyche

via Daily Prompt: Translate

When I was a kid, something very traumatic happened to me. The details are not important. Suffice it to say that it was something soul-shattering.

As in, as it was happening, parts of my soul literally broke off and went somewhere else because the pain was too great. Being so young, 5 years old, I simply had no way to cope with what was happening to me.

So my psyche did what it had to do in order to survive. It translated parts of itself. It sent the most vulnerable parts of itself to safer places and left the parts of me that could withstand the trauma better behind to live through and manage.

That’s pretty amazing I think.

Now, at the time, of course, and for decades afterwards, I had no idea that this had happened, that parts of my soul had translated to other climes.

I went about my life, growing up, maturing as best I could as a person with crucial parts of themselves off somewhere else. I cobbled together a way of coping, and moved through childhood into adolescence and into adulthood.

I managed to make a life. A life held together by skewed logic and broken-hearted, suppressed pain, but a life nonetheless.

My pieced-together life was less than ideal. On the outside, it may have looked pretty good. I had a loving family, friends, education, opportunities galore, and the resources to live well and pursue my dreams. I do not want to minimize my gratitude for these.

However, my soul was missing core parts, so my experience of life through all those years was lacking in ways that are hard to explain. I was always feeling slightly off. I had generalized anxiety all the time that I could not define or understand. A seemingly bottomless well of sorrow and a constant sense of an inner hysterical feeling just below the surface accompanied me through even the happiest of experiences.

Suffice it to say that when your soul parts have translated elsewhere, and you don’t even know it, there is an internal confusion that can be terrifying, complex and, at times, overwhelming. It can feel like you are suffocating or in danger of disappearing into nothingness, into the void.

Until I understood this, I did my best to drown out this overwhelm. This led to some pretty messy behavior and a great deal of “lost” time.

Thankfully, I was lucky.

One day, in a voice lesson with a very wonderful man, I happened to mention to my teacher that I thought a part of my soul had been destroyed by what had happened to me. He told me that the human soul could never be destroyed, was beyond human touch.

Something in his words struck me to my core. I literally felt as if I had been gently punched in the gut. And though my mind was cynical, my body resonated the truth of his words.

My journey was forever altered for the better that day. I eventually found assistance and came to understand what had happened to me. With that assistance, I have been able to heal the wounds from the trauma. And grieve. Not only for the original trauma, but for the lost time and the years of moving through life as a kind of ghost of my former self. That kind of loss is real, too. And worthy of grief.

I have learned how to create, over time, a strong and loving core from which to invite those missing parts back. And in time, they have come. Not all at once, but bit by bit.

It is an astonishing thing to actually feel a part of your soul fly back into your psyche.

For me, there is a rush of sensation within my heart and solar plexus accompanied by a kind of flutter of excitement in my belly, followed by a warmth that spreads throughout my body along with a rush of intense emotion, a blend of ecstatic bliss at being reunited and tremendous grief for having missed it for so long. I imagine it is like being reunited with a long lost parent or child.

I cannot adequately express the sensation. Maybe it is what being touched by an angel feels like.

I am left with a sense of wholeness. In time, the new part integrates with the rest of me. I feel more and more like who I really am meant to be. These parts that have returned contain elements of my spirit, my soul, that I haven’t lived with in forever: bubbling joy, innocent playfulness, open curiosity and more. The difficult parts have come back too: rage, terror. But I’m equipped to handle them, unlike the child I was. I can honor those parts too and find compassion and healthy ways to address them.

It is like I was living with 3 crayons and now have 98 to use. I was a walking sieve and now I feel like a whole, flowing, glowing mass of life. I was a lone prisoner in my own skin, and now I feel connected to all of Life. I was blind but now I see. It may sound mystical or hokey, but it is my truth. I do not believe that I am alone in having experienced this, either.

I have come to view the human psyche as an intricate and miraculously brilliant thing. It has the power to survive the unimaginable and come through the other end with even more depth and richness than before. The soul cannot be destroyed or even truly touched by human hands. But it can translate. And return again. And for that, I am truly grateful.

#thebrillianceofthehumanpsyche

Daily Post: Translate

Triggers and Pink Pussycats

I have been hard-pressed to write a blog since before Inauguration Day.

Like many, I am still processing significant losses that were, for many, contained in the recent election: the loss of President Obama, the loss of the America I thought I knew: the loss of the America of my own personal dis-illusion.

It took until two days after the Women’s March for me to realize how triggering the Inauguration and ensuing Presidency have been and are for me. I think I was operating in a kind of denial until then. While at the march, after first feeling incredibly hopeful, I began to feel uneasy. And after seeing that the march seemed to have had such little effect on the administration, it hit me.

I was triggered. Feelings of powerlessness were flooding my system. I was feeling overwhelmed with the sense that my truth, my voice was falling on deaf ears and was of totally no consequence. That things happening were not of my choice, and I had seemingly no recourse to stop them. Reality mirroring crucial traumatic events from my past blasted open the floodgates of remembered trauma.

I know I am not alone. Anyone who has been violated at some point in their life may be triggered again and again in the next four years.

So what can we do about it? How do we survive the daily onslaught of confirmations and executive orders and hard-won laws being threatened from powers-that-be?

Thankfully, I have found some very helpful posts that address this very issue. And if I cannot bring myself to write about usual things right now, I can write about why and I can share what I am doing to address the problem.

One of the best I have read is “How to #StayOutraged Without Losing Your Mind
Self-Care Lessons for the Resistance” by Mirah Curzer. Some great things to consider as we move forward, together.

Another article has been very helpful to me. N Ziehl’s “Coping with Chaos in the White House”. The author shares their experience of living with a person having narcissistic personality disorder (NPD.) I am not diagnosing anyone here. But this article spoke to me. It made a great deal of sense and gave me some helpful insights.

What I have been feeling are awful feelings to re-experience. But it was a relief to recognize that they are happening: to know that though there is a present reality that is indeed traumatic to me, there are many other layers happening that are from wounds from the past. Knowing this, I can let the current situation be “right-sized,” and then process the past triggered pain so that I can take good care of myself today. From this place of awareness, I can then take actions to do what I can in order to stay empowered and able to persevere the next four years.

I am finding for me, in addition to practicing the best self-care I can, taking actions each day that help me stay informed and connected to the lawmakers that I voted for, as well as those I did not, is crucial. These actions – calls, emails, letters, non-violent protests and marches, donating to re-election campaigns and organizations that I believe in – they keep me sane.

I am careful as I digest the information that pours forth on social media. I check in with my body, a lot, especially after getting shockingly bad news, such as the “alternative facts,” the travel ban, the recent confirmations, the silencing of Elizabeth Warren. I never know when something new will spark a trigger. I take deep breaths and ask my body what is going on, and I listen closely.

And I lean on my communities. I stay connected to like-minded people who are also active, because it is too easy to begin to feel hopeless as all of this unfolds. We can remind each other that there is power in love and that our actions and our voices do matter. They can remind me of the headway that is being made in our causes when I am feeling low. Together we can persist.

My artist friend Laura Baran created the “We are One” illustration at the heading of this post the weekend of the Women’s March. I keep her beautiful image near to remind me to keep love at the center of all I do.

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I also reach for my “Don’t Sass the Cat” tee created by another friend, a clothing designer named Jacquie of jqlovesu. It reminds me to keep a sense of humor and to remember the power of love and of people who love people. I run and I sweat and I cry and I sleep and I work to stay hopeful no matter what by taking action.

I am a Lover of Humanity. I am an American. And I want to be a part of the solution. It will be work. But I have never been one to shy away from a challenge.

#neverthelessshepersisted #pussyhat #dontsassthecat #weareone #beapartofthesolution #loveaboveallelse

Inside-Out

I have been dealing with depression. Again. This is not a new phenomenon to me. I have been dealing with It all of my life, or at least as far back as I can recall. I call It depression in order to explain it to people. But I have come to understand it more and more as simply energy. Energy from my own system, energy that is mine and is not mine at the same time. It is an outcry. It is a soul strike.

This depression requires of me that I stay at home, alone, with only the company of my cat, Miracle. If I am out and about, and it hits, this depression demands of me to pull out of My Life and go home. If I am at home when it hits, It will not let me leave. There is literally a magnetic, heavy pull. A dragging down. An exhaustion like a huge, thick blanket on my body and in my heart. My belly is tense with a sheet of iron-like tension that I keep trying to release through awareness and breath. I get it to relax a moment, but as soon as my mind wanders, and I return to it, it is there again, hard and steely.

Its’ requirements? No outside interruption. No demands. No stressors. No people. Quiet. Solitude. Just me with all the me’s I have ever been. One or another of them needs my own attention and caring. Some part of me needs to be heard. To be seen. Sometimes, to be saved.

I fight It. It has been years that I have fought against hearing these inner needs, these lost parts of me. I used to use things to try to drown them out. To try to shut them up. They felt so overwhelming to me. I had no way of dealing with them, because I wasn’t capable. I had no core self from which to do such a thing from. I wasn’t grown up enough to mother anyone.

Over the last 11 years I have worked hard to grow myself up, to find my core self, to heal. In the last four years, I have worked hard to know all of my selves and their needs, to become more accepting of these times when my own system just shuts me down. It has been a painstakingly slow but incredibly crucial process.

Today I needed to write something hopeful, encouraging and acknowledging to my self. A combination gratitude and brag list, two practices that have been extremely helpful to me.

I am grateful:

For trusting my own process even when my spirit and body and soul parts feel disparate.

For my intelligence and my lack of knowing it all.

For my inner-knowing and my lack of intelligence.

For the parts of me that I think are ugly and mean and stupid: the “Loser” parts so quick to rise up within and flood my system – they are constantly looking for evidence in the outside world that will mirror back what it forcefully tells me – that I am fat, a loser, stupid, shy, weird, misshapen, disgusting.  These parts that bully me (as some bizarre kind of protection of some other very raw parts inside) – they are precious and worthy and are such important parts of me.

I celebrate them and brag about how wonderful they are in hopes that they will hear me and let my heart hold their pain and their shame so that new life can fill them with love and light. I say to them:

I am not shy. I am sometimes shy. How beautiful I am to feel that way sometimes.

I am not stupid. Sometimes I do not know things. Sometimes I do stupid things. I say, “Brava, Me!”

I am not fat. Sometimes I put on protection. Sometimes I fall into old ways of comforting myself. How human of me. What a vulnerability that proves that I have inside me. What soft crevices I contain that crave such filling. I love that about me.

I am not a loser. I am not ugly and weird looking. I am wondrous and epic and multi-faceted and one of a kind. I am me. I am my own shape. I am my own timbre. I am my own expression of the beauty and wonder of the world. Every single cell of me is a miracle and I celebrate the magical wonder that I was born into this world at this time in this form.

Today I dance with depression. Maybe tomorrow It will quiet down, and I can once again go back out onto the skinny branches, and live out loud again.