Time Travel

Shiny peach polish on elegant, tapered fingers

Faint fragrance of rose mixed with Jergen’s

I loved your creamy white hands, Grandmother

I’d lay alongside you as you napped, put my fingertips next to yours

Watch the rise and fall of your chest, feel the warmth of your breath

Fall into a peaceful sleep that felt like being carried on a breeze

I’ve never felt as safe and loved as I did then

You’ve been gone so long, but I can find you whenever I want

I just put on some Jergen’s and close my eyes

 

Inspired by The Daily Post Daily Word Prompt: fragrance

Unchained Melody

There will be a day

When my choked throat opens, when my tongue can relax

And my breath flows free

There will be a day

When the cacophony of other people’s voices inside my head

Become quiet, stilled for good

There will be a day

When all the many tunes of the me’s within

Harmonize as one, swelling chorus

There will be a day

When my I speak, full-throated, my songs of truth

Authentic arias, free at last to soar

Oh yes, there will be a day

 

Inspired by The Daily Post Daily Word Prompt: harmonize

 

Sexual Healing

Growing up in the 70’s, my sexuality was shaped by what are now considered to be pretty tame resources.

Remember that this was before the internet brought free porn into our homes, and nudity and sex acts were the norm in film and television.

It’s true: “free love,” second-wave feminism, women’s liberation, and the sexual revolution were making major strides in the 1960’s and 70’s. The 70’s saw many influential innovations. Edible underwear was invented. (Still being sold today.) Video Home Systems (or VHS) and Beta Systems were made available to buy in the mid-late-70’s, which the porn industry apparently mavericked for their retail use.

Like many middle class Americans, my parents didn’t have a VHS machine until the 80’s, so videos were not available to me. (We were also the last family I knew to get cable. My parents were against paying for TV for some reason. Maybe there were late night cable porn resources around in the later 1970’s, but not in our house.)

Despite there being many women who were battling for my future and the future of many young girls like me against the woman-as-sex-symbol stereotype, I remained steeped in the cultural and mass media imagery, messages and attitudes that kept that stereotype alive and well. And boy, did it all do a number on me.

I grew up in Houston, Texas, in a mostly white, middle class neighborhood.

Other than my brothers and the time this one guy was driving around the neighborhood without pants on, fondling himself, asking kids for directions, who I had the misfortune of being “exposed to,” I was not exposed to male nudity as a child.

But female nudity abounded, and shaped not only how I thought about myself and my body, but how I thought everyone else thought about me and my body.

So much so that the “me” in the sentence above and “my body” became synonymous in my mind. I WAS my body. My body was me. As in, I based my entire self worth on my appearance and whether or not I felt men were attracted to me.

(I still struggle with this encoding. But I digress. More to come on that later.)

Though I was born into the “Golden Age of Porn,” the “porno chic” years of 1969-84, I was not exposed to any of the films that were made famous during those years, notably Warhol’s Blue Movie, Mona, later The Devil in Miss Jones and Deep Throat. (They probably didn’t make it to mainstream theatres in Houston at the time, but even if they had, I’d never have gotten to see one.)

But we had magazines. Playboy and Hustler. Others. It was the photographic depictions of women in men’s magazines that primarily influenced how I saw myself as a woman.

My first memory of seeing and being influenced by a photo of a naked woman was actually a record cover, and this woman was not exactly naked. It was the cover of Herb Albert & The Tijuana Brass album “Whipped Cream and Other Delights” (1965.)


This was one of my parents’ favorite albums to play. I heard it often from an early age, and I loved dancing to the music, making up dances to the songs, which were saucy, sexy jazz concoctions.

But more than that, I was obsessed with the woman on the cover. I was attracted to her. (Maybe it was the appeal of the whipped cream. I was already way too into food: my eating disorder was gesticulating already.)

But it was more than that. On some level, I knew she was considered exciting, attractive and desirable, and I wanted to grow up to be just like her.

Also, TV shows such as “Love, American Style” Rowan & Martin’s “Laugh-In” were popular during my early years. Both had racy sexual references and innuendo and young women dressed in sexy outfits. From these shows, I learned that if you were sexy and young, you got positive attention from men. Think young Goldie Hawn dancing in those strobe lights in that green bikini with her painted body. The young women on the show actually wore babydoll dresses and Mary Janes because those were in fashion. Talk about confusing messages!

True story: If little me was asked at the time (when I was 4 or so) what I wanted to be when I grew up, I said “a go-go dancer.” I even had little patent white go go boots at 3!

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These were my role models. This was the kind of woman I wanted to be!

Later, I found my brother’s girlie mag stashes and would go in when they were out to pore over them. I was fascinated by the women’s bodies, so different than mine. I knew that I fell way short, but I remained hopeful that maybe someday, with enough hard work, I could create a body close enough to rate some man’s favor.

When I was old enough, I started to read the articles (yes, I really did) and the infamous “Letters to Playboy.” These were my education in what was interesting to men about women. Through them, I discovered what men really thought about women. What they really wanted of us. And it all had to do with our bodies.

I learned that I was here to be attractive to men. That what I looked like and how attractive men found me was my purpose on this earth. That there was little value to me other than my sex appeal, and that if I wanted any happiness on this planet, I better work hard to be and stay appealing to men.

And so I did. I became the perfect female consumer. I bought into it all hook, line and sinker. The beauty products, the clothes, the way of being in the world.

I transitioned from my brother’s hidden away men’s magazines to the magazines of my adolescence. Though they were women’s magazines – Teen, Cosmo, Glamour, to name a few – the messages of their content were actually perfectly aligned with the former’s messages about the female role in society. In these magazines I found my road map, the formulas for winning and keeping a man, 100 ways to keep him satisfied in bed, and how to stay looking young and sexy forever.

Every issue of these magazines had different versions of these same themes, over and over. (And if you buy these kinds of magazines today, they still do.) And I bought them and bought into them all, every time.

How I related to boys and then men was all shaped by that early imprinting. I look back and feel like I didn’t really get to have real relationships with men (and women — since they were always the competition for the men) until much later in life. Because through all my dating and early relationships, I was living from the outside in, trying to be the women I had seen in those magazines pages. Trying to find and live the life promised to me in the ads in the magazines and on TV if I succeeded in making myself into one of those women in the pictures.

It took several years after moving to NYC as a young woman for me to learn how to leave my apartment without make up on.

It has taken many more years for me to unravel all of that social and cultural conditioning to find within my own idea of being a woman, of my own sexuality, of what I feel is my intrinsic value and purpose on this planet. It turns out, none of it depends on what men or society think of how I look.

It has been a tough going, this “unlearning.” I was thoroughly brainwashed. I drank the Koolaid. Despite years of hard work to reprogram myself, I still find little pockets within me that harbor beliefs like that Victoria Secret models are better people and deserve more than women like me. Or that if only I looked like this model or that model, my life would be perfect. Little pockets of self-hate that dismiss my worthiness as a human because I do not have large boobs and perfect thighs.

There’s still a part of me that is scared writing this blog post. That I will be labelled as “ugly” just thinking these thoughts/going against the grain.

I take those parts by the hand when they reveal themselves to me and I whisper the truth in a loving tone and tell them I am so sorry they have ever felt anything less than beautiful just as they are, inside and out.

Today, I try my very best to love my real body. I pour my resources into that. (I no longer buy those magazines nor do I need they ideas they sell.)

I love being in my body, and I love my awakening true sexuality. I love feeling desirable. (Who doesn’t?) But I no longer seek to feel this feeling from outside of me.

Today, feeling attractive and desirable is on my terms, made from an internal collage made out of my true essence  – what I like and feels good to me. This inner imagery replaces the old template.

There is no longer a buxom babe at the centerfold of my spirit, beckoning to me with promises of happiness and fulfillment if I am able to become her.

There is me, and the unique beauty that I bring to the world this time I am here.

Like many women my now-age, I look back at the loss of all that time trying to be a sex symbol as a tragic loss of my life’s precious energy.

I waste no more such precious time today.

 

Inspired by The Daily Post Daily Word Prompt: edible

Savor-ful Things

A kiss

Coming in to the air conditioner from sweltering heat outside

Time with a loved one

The sunset

A thank you

A heartfelt apology

A compliment

An unexpected but needed rain shower that breaks the humidity

A stranger’s smile

Someone holding the door open for you

The moment you free your body from tight clothes or shoes

Watching your lover, child or pet sleep

Holding their hand (really hold it)

The sound of their voice (one day you may long to hear it again)

Their touch

Being really listened to

A deep sleep

Getting lost (because you are never really lost, you’ve just found a new way to go)

A good laugh

How it feels after anger dissipates

A happy memory

A rainbow, anytime, anywhere

The stars in the sky

Being applauded in any way for any reason (exception: sarcastic applause)

That smell of breakfast

The smell of coffee

A pet’s demand for your attention

A really good turn of phrase

Sunlight

Long sips of cool water

Any moment in which you feel loved

Any moment you feel connected to the world

What would you add to the list?

 

Inspired by The Daily Post Daily Word Prompt: savor

To Do’s Today

Here is what I can do today.

I can create:

Joy. By Taking time to find it in my body and then give it to the world in the form of smiles and kind interactions with others.

Peace. By listening and respecting others, staying unattached to needing them to agree with me or see things my way. By refusing to war with my self or anyone else.

Art. By choosing to use my body, voice, mind, emotions, instincts, words, will, expertise and talent to create in whatever ways I can. I can do this regardless of whether I get an audition or booking, or am in a show or film or not. Especially in today’s world, I can create art and share it daily, for my self and others.

Positivity. I can choose to meditate, practice gratitude, use mantras and affirmations and select an intention to guide my day. As many times a day as I need to, I can tap into the ever-abundant source of this that is within me. Every moment contains the choice of love or fear.

Justice. I can stay active politically for the causes I support. I can use my voice, body and energy as needed to take action. I can speak up when I see injustice.

Equality. See above. 

Beauty. I can allow my spirit to shine freely from within. I can reflect back to others the beauty I see within them, encouraging theirs to flow freely.

Comedy. I can listen for the clown (my unsocialized 4 year old) within, and work with her impulses instead of tamping them down. I can laugh at myself and at funny things and share that with the world. 

Music. I can hum and sing and make up silly songs in the grocery line. I can sing at the top of my lungs for the sheer joy of it. Or I can create art from the music in me.

Excitement. I can go against the grain of the social conditioning that started in junior high school and begin to allow my enthusiasm for life to thrive and be seen. I can choose excitement over “cool” and feel my own aliveness flow into the world. Maybe I will spark enthusiasm in others.

Intimacy. I can choose to be vulnerable with myself and with others, and perhaps help them to become vulnerable as well. Vulnerability may well be key to saving the world.

That’s what I can do today.

Inspired by The Daily Post Daily Word: create

A Perfect Ten

I was always ashamed of my hands as a child.

I bit my fingernails. I was always picking at the nail bed and tearing the nails. Though sometimes I made them bleed, there was a weird pleasure in the pain of that self-destruction in the moment it was happening. Later, regret set in, and then shame.

As a young girl, I would make play fake nails out of Elmer’s glue and stick them on, pretending I had lovely, long nails like the women I admired on TV and in magazines. They did not stay on very well, however. Just a few, brief moments of the illusion before they fell off, semi-hardened ovals of Elmer’s again.

I also had what I considered a misshapen right thumb. It was shorter and wider than my left. I hated my right thumb and it’s squat ugliness. I would sit on my hands in elementary school. Didn’t want anyone to see my defect, fearing it as outer proof of my innate defectiveness.

Around the summer between sophomore and junior years of college, I discovered artificial, or acrylic, nails. There were also, at the time, inexpensive, temporary stick-on nails available in stores, but for whatever reason, I never tried or trusted those. They were too obviously fake. They would never pass as my own. (So I would never pass.)

But the acrylic nails? They were an answer to my prayers.

These artificial nails were not a replacement, but an extension for natural nails. They involved the application of tips made of lightweight nail-shaped plastic forms that are glued onto the end of the natural nail. They would then don masks and brush on acrylic powder to cover the nail. Then an artificial nail is sculpted out of the acrylic and shaped and buffed to a shine.

In over an hour’s time spent in front of a nail salon employee, I, too, could have perfect, long, beautiful nails.

But the best part of it all was the polish.

I chose the richest and darkest red being made at the time. This was before get manicures and the myriad of colors of polish in fashion today.

I was drawn to the red. I had always loved old Hollywood glamour, so I guess that influenced my taste. Subsequently, I also started wearing red lipstick to match. It became my signature look in my last two years of college. (I also wore a lot of black before it was chic. I got a lot of comments on all of these things. I didn’t mind the attention as long as my nails were perfect.) My nickname was Maybelline.

After discovering acrylic nails, I fell in love with my hands. I felt more attractive in every way. Suddenly, my hands were available for self-expression and communication in a way they had never been before.

Great, right? So what if I had to pay a fortune. So what if I had to spend two hours each week in the nail salon breathing what must have been toxic fumes and having toxic substances put onto my nails in order to feel whole and worthy? Small price to pay if you ask then-me.

The problem is, when you rely on an external factor of your appearance for your sense of worthiness, you are depending on something that is transient.

And acrylic nails, while petty durable, were known to break off at times in-between salon visits. They were a system not without flaw.

If my acrylic-enhanced nails were less than perfect, I felt unpresentable, imperfect. Life had to stop until I could re-perfect myself again. But salons are not open 24/7. So that meant hours of waiting, feeling awful, until I could be restored to lovability again.

I remember literally plummeting to the depths of despair one time bowling with friends.

I am right-handed, so I was using my right hand to bowl. My “special” right thumb had trouble fitting into the thumbhole of the ball that fit the rest of my grip. It was a bit snug for it. And, well, you guessed it, disaster struck.

There I was, in all my shame, my deformity not only exposed but highlighted. The naked odd man out against perfect and polished siblings.

When I think back, I feel compassion for the girl I was then. Sad that my entire esteem of self was riding on such a superficial thing as my nails. But it was.

It took some years after college to begin to learn to let that kind of outwardly-obsessed perfection go. It symptomatically focused on my nails then, but that was not the only area of my appearance that suffered.

I have had to delve deep, to find my core self, the self worthy of love, having nothing to do with externals of any kind. I am still working on that one.

Perfectionism and obsessive-compulsiveness seem to be a shape-shifting animal that morphs from one area to another.

Whereas over the years my perfectionism has often been fixated on my appearance (nails, weight, sustaining a youthful appearance,) in the last 15 or so years it has also been on my career and accomplishments.

I am still working to find full value in myself just as I am. Nails or no. Big acting credits or no.

Today, I try to love who I am, how I look, just as I am. I try to enjoy the work I get and to treat every job as if it is “big time” because in my heart of hearts, where I don’t care if anyone else is looking or not, it is.

In over words, I am trying to live from the inside-out.

It is challenging. The outside world with all of its social media trappings and the business-of-acting business bytes is like a siren call that draws me off course to crash on the rocks.

Am I doing enough? Am I meeting the right people? Do I have the best headshots? The right representation? Am I in the right mindset? Am I relevant? (Yes, I have actually just recently gotten an email from an industry professional who council actors suggesting that as the focus of what actors must ask themselves. To whom? In what regards? And what if I am not relevant? Does that mean I should just stop pursuing what I love?)

And then there are the ever-present questions of well-meaning people: What have you been doing? What have you done that I would have seen you in? Anything big? Are you doing anything important? Yikes. So easy to slip off my own core-driven track of loving what I do and start to question my validity. Easy to feel lost at sea and doubt that I am on the right path, despite having a map that I love right in my own hand. Easy to feel like I have to use yours or hers or buy a new one in order to be marketable “enough” to feel worthy.

But thankfully, I know what is what. I may have to work hard to stay centered within my self some days, navigating the seas of the outer world that used to have such reign on my sense of worthiness, but today, I know what is what. And that is huge. I recognize the siren calls for what they are. I can course correct back to my own route.

I confess, I do still love nice-looking nails. Today, we have gel technology, so I only have to go to the nail salon once every two weeks. (I can barely stand to be in there. Some people love it. I just spent too many hours there for the wrong reason in the past to enjoy it. It is a reminder to me of where I have been. I do not want to go back to that.)

I have a new signature nail polish. It is called Always and Forever. It is a purplish nude matte color that is subtle, like a pink or a white without being pink or white. It is different, unusual.  I love it. It suits who I am right now. Next year, it might be something different.

I do still wear red every so often. I enjoy the bright red shock of color. I always feel a bit more glamorous when I wear it.

My nails do not have to be perfect today. Neither do I. I am the captain of my own career ship most days, and the sailing is fine.

 

Inspired by The Daily Post Daily Word Prompt: polish